Zevin’s ambitious reach into the future may put off some readers, but others will warm to her clear-eyed compassion for...
Picture-perfect evangelical family spirals out of control.
Zeroing in on the high anxiety that credit-starved Americans feel in the current economic climate, Zevin (Memoirs of a Teenage Amnesiac, 2007, etc.) delivers a bitter yet believable portrait of the national dream gone terribly wrong. Broken into four sections that jump from 2000 to 2006 to 2012 to 2022, the novel chronicles the high times and bottom-hitting lows of a daydreaming dad and compulsive shopper mom who are trying to raise a family in the Seventh Day Adventist faith while keeping secrets that wreak havoc on their children. Roger Pomeroy is a 42-year-old former pastor who decides to go back to school and earn a doctorate, a decision that pushes his family to the brink of starvation while he carries on a sordid affair with his supervising professor. His wife Georgia, a data-entry clerk, is sucking the family credit cards dry to pay for the wedding of eldest daughter Helen. Despite their lies, Roger and Georgia are comforted by their faith. “The world tells you that all these secular debts matter, but my whole reason for being put here on this earth is to tell you that they do not. The only debts that matter are spiritual debts,” advises the preacher at their church. Georgia’s financial shenanigans, including the acquisition of credit cards in her children’s names, are hard on all the kids, but hardest on youngest daughter Patsy, who joins the Army in an attempt to earn enough money for college and is sent to Afghanistan.
Zevin’s ambitious reach into the future may put off some readers, but others will warm to her clear-eyed compassion for people doing the best they can and wreaking considerable damage along the way.Pub Date: March 1, 2010
ISBN: 978-0-8021-1923-0
Page Count: 304
Publisher: Black Cat/Grove
Review Posted Online: Dec. 27, 2010
Kirkus Reviews Issue: Jan. 1, 2010
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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