A sweet, playful bedtime story with animal appeal.
A young child’s imagination runs wild before bedtime.
It’s lights out, but energetic Sweet Pea, depicted with light-brown skin and straight hair, isn’t quite ready to go to sleep yet. Mama, a stout White woman, repeatedly tries to tuck them in, but they obstruct her attempts by chattering on about all the various ways they could sleep. Climbing up a bedpost, they declare that they want to sleep like koalas do, high up in trees. Hiding under their pillow, they pretend that they are dozing like a puffin in its burrow. Standing on their bed, they wonder if they can sleep upright like emperor penguins snoozing on rocks. After making their way through several more animals and their sleeping habits, Sweet Pea's stalling ends as they conclude that their bed is “the best bed for me.” Cornwall’s art, rendered in pencil and watercolor with a digital finish, uses a restrained palette of minimal, muted colors that adds a soporific feel to the narrative. The text is dialogue-heavy but flows easily and combines the humor of Sweet Pea’s bedtime antics with the tenderness of their relationship with their patient caregivers. The illustrations show that Sweet Pea has two moms, one of whom shares their skin color and hair color.
A sweet, playful bedtime story with animal appeal. (Picture book. 5-9)Pub Date: May 17, 2022
ISBN: 978-1-5362-0715-6
Page Count: 32
Publisher: Candlewick
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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