by Gail Buckley ‧ RELEASE DATE: May 22, 2001
A study, Buckley writes, that was 14 years in the making—and it shows. Well-written, vigorous, and aptly titled, this...
A first-rate history of African-Americans in the military.
Journalist Buckley, daughter of singer Lena Horne, comes from a long line of soldiers who took part in the Revolution, the Indian Wars, WWI, and other conflicts throughout American history. As Buckley writes, African-Americans were generally made to feel unwelcome (if useful cannon fodder) in the military between the years of the Revolution and the Korean War, when President Truman formally integrated the armed services. Buckley begins her sweeping narrative with the black fighters of the Revolution, ignored in standard history texts but honored by the likes of Washington and Jefferson in their time for having “knocked the British about lively.” Among the other early, forgotten patriots of whom she writes is Joseph Savary, a hero of the War of 1812 who helped Andrew Jackson win the Battle of New Orleans; having been ordered not to take part in the victory parade, he angrily denounced American racism and logged time in the pirate trade with Jean Lafitte before heading south to join Simon Bolivar's army. Another is William Carney, who fought with the 55th Massachusetts (the sister regiment of the storied and bloodied 54th) and was the first black fighter to be awarded the Medal of Honor. Most of Buckley's narrative, however, is given to events of the 20th century, from WWI to the invasion of Iraq; a key figure in her text is Colin Powell, who rose through the officer corps to assume a key leadership role in the military (and is now the Secretary of State). If there is an overarching theme to Buckley's narrative, it is that military service offered African-Americans a means of improving their lives; “by helping make history,” she writes, “they fought racism” and overcame prejudices in other branches of society.
A study, Buckley writes, that was 14 years in the making—and it shows. Well-written, vigorous, and aptly titled, this deserves the widest possible readership.Pub Date: May 22, 2001
ISBN: 0-375-50279-3
Page Count: 432
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2001
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by Gail Buckley & adapted by Tanya Bolden
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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