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AS TEXAS GOES...

HOW THE LONE STAR STATE HIJACKED THE AMERICAN AGENDA

New York Times political columnist Collins (When Everything ChangedThe Amazing Journey of American Women from 1960 to the Present, 2009, etc.) zeroes in on what makes Texas so important and why the rest of the country needs to know and care about what’s happening there.

Texans, writes the author, think they live in a wide-open empty space where carrying a concealed weapon is acceptable because people have to take care of themselves and the government has no business telling them what to do. In her inimitable style, the unabashed liberal examines the shenanigans of Texans from four angles: first, a hilarious look at some of Texas’ past heroes and present politicos and at how the empty-space ethos has shaped the state’s policies; second, a close-up examination of several areas where she says the state has gone wildly, sadly wrong (its deregulation of financial markets, attempts at reforming schools and funding, or defunding, education, and major missteps on sex education, energy, the environment, pollution and global climate change); third, a scathing report on the two-tiered, low-tax, low-service economy of the state; and finally, Collins’ take on where Texas, soon to be a Hispanic-majority state, is heading. The author loads her report with funny but dismaying anecdotes and dozens of revealing interviews. She does not neglect the hard facts. An appendix includes “Texas on the Brink,” a report compiled by the Legislative Study Group of the Texas House of Representatives. It gives an especially grim picture of the failings of our second-largest state. Among the states, it is first in executions and in the amount of carbon dioxide emissions but 45th in SAT scores and 49th in the percentage of low-income people covered by Medicaid. In Collins' view, the rest of us feel the influence of Texas in our lives every day, and “if Texas goes south, it’s taking us along.” A timely portrait of Texas delivered with Collins’ unique brand of insightful humor.

 

Pub Date: June 4, 2012

ISBN: 978-0-87140-407-7

Page Count: 256

Publisher: Liveright/Norton

Review Posted Online: April 29, 2012

Kirkus Reviews Issue: May 15, 2012

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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I KNOW WHY THE CAGED BIRD SINGS

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."

Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."

However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.

Pub Date: Feb. 1, 1969

ISBN: 0375507892

Page Count: 235

Publisher: Random House

Review Posted Online: May 14, 2012

Kirkus Reviews Issue: Feb. 1, 1969

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