Unsparing yet compassionate; a fine addition to Godwin’s long list of first-rate fiction bringing 19th-century richness of...
Godwin (Unfinished Desires, 2009, etc.) examines the intricate bonds of family and the enduring scars inflicted by loss.
In the summer of 1945, 10-year-old Helen Anstruther has just lost Nonie, the grandmother who raised her after her mother, Lisbeth, died when she was 3. Helen’s father, the discontented, hard-drinking principal of the local high school in Mountain City, N.C., needs someone to stay with her while he does “more secret work for World War II” in Oak Ridge, Tenn. So he asks her mother’s 22-year-old cousin, Flora, and, when one of Helen’s best friends comes down with polio, insists that the pair remain at home to avoid the risk of infection. It’s a bad idea: Weepy, unbuttoned Flora seems like a dumb hick to snobbish little Helen, who at first makes a thoroughly unappealing narrator. But as Godwin skillfully peels back layers of family history to suggest the secrets kept by both Nonie and Lisbeth (some are revealed; some are not), we see that Helen is mean because she’s terrified. She’s already lost her mother and grandmother, she’s afraid her polio-stricken friend will die, and another close friend is about to move away—after delivering some home truths about how “you think you’re better than other people.” Helen got this trait from Nonie and both her parents, we realize, as Flora’s comments gradually reveal how cruel Lisbeth was in her eagerness to leave behind her impoverished background. As usual with Godwin, the protagonists are surrounded by secondary characters just as fully and sensitively drawn, particularly Finn, the returned soldier whose attentions to Flora spark Helen’s jealousy and prompt the novel’s climax. Not all mistakes are reparable, we are reminded, but we learn what lessons we can and life goes on.
Unsparing yet compassionate; a fine addition to Godwin’s long list of first-rate fiction bringing 19th-century richness of detail and characterization to the ambiguities of modern life.Pub Date: May 7, 2013
ISBN: 978-1-62040-120-0
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: Feb. 3, 2013
Kirkus Reviews Issue: Feb. 15, 2013
PROFILES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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