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FAINT PRAISE

THE PLIGHT OF BOOK REVIEWING IN AMERICA

Some well-deserved pats on the back and slaps upside the head.

Freelance journalist and former Boston Review editor Pool (Other People’s Mail, 2000) takes the pulse of the American book-reviewing profession and finds it weakening.

Considerable research enriches her jeremiad with pertinent examples from American literary history. “How can it happen,” Pool asks, “that such a serious enterprise works so badly that it often fails to work at all?” She is unhappy about several things: long essays that deal less with the book that with its context (see: New York Review of Books), routinely positive reviews by noted writers, editors who seem unwilling to cover titles by little-known authors, reviews-for-pay, the unprofessional reviews that now proliferate on such sites as Amazon.com (a frequent target here). After laying out her case in broad strokes, the author examines more closely a number of issues, including the difficult process of selecting which books to cover and which writer to assign. She finds chaos and bias throughout as she discusses such celebrated mismatches and controversies as the contretemps between Norman Mailer and John Simon over the latter’s review of Harlot’s Ghost. She devotes a chapter to the issue of accuracy and urges critics to judge books on their own terms, not to condemn Ed McBain for failing to be Leo Tolstoy. At the end, Pool raises and answers two questions. The first—Are reviews necessary?—earns a quick, positive reply. Addressing the more complex issue of what can be done to improve reviewing, she suggests we find more sensible book-selection policies, improved means of rewarding reviewers and better ways to train editors, whose quality, she believes, is cardinal. A code of ethics would be nice, too.

Some well-deserved pats on the back and slaps upside the head.

Pub Date: July 1, 2007

ISBN: 978-0-8262-1727-1

Page Count: 192

Publisher: Univ. of Missouri

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 1, 2007

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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