by Gail Silver ; illustrated by Christiane Krömer ‧ RELEASE DATE: Oct. 1, 2011
Sure to fill a niche for those tackling potentially thorny social situations, this straightforward and enlightened approach...
Silver and Krömer pair their considerable talents to create a successful second title in the Anh’s Anger series (Anh's Anger, 2009).
Here Anh faces a common childhood dilemma: He wants to do one thing (dig in the dirt at recess), while his friends are set on doing another (playing kickball). He tries to convince his friends to join him, but one boy retorts, “Digging is for babies.” This crushes Ahn; he “felt like he’d been punched in the stomach.” As Anh retreats to “the shade of the oak tree” with “a salty tear rounding the corner of his lip,” Anger explodes onto the scene in a wild collage of green, red and yellow textures with spiral, swirly eyes and a mouthful of sharp teeth. He reminds Anh that he “always show[s] up when things aren’t going your way.” This personification of Anger fills Anh’s head with negative thoughts, but Anh resists its goading and begins to walk slowly. With each step they breathe in and out and count. This walking meditation helps Anh get control of his feelings. As the counting increases, Anger’s vibrant colors begin to fade, and his size diminishes. Silver’s dialogue-driven text is likely to provoke meaningful discussions about dealing with disappointment and controlling tempers. Preschoolers and primary-grade students will appreciate Krömer’s visual feast of pencil, paint and tactile collage elements used to vividly illustrate Anh’s story.
Sure to fill a niche for those tackling potentially thorny social situations, this straightforward and enlightened approach will appeal to many. (Picture book. 4-7)Pub Date: Oct. 1, 2011
ISBN: 978-1-935209-87-4
Page Count: 40
Publisher: Plum Blossom Books
Review Posted Online: Sept. 2, 2011
Kirkus Reviews Issue: Sept. 15, 2011
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by Gail Silver ; illustrated by Franziska Höllbacher
by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Aug. 18, 2026
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed.
Beep! Beep! Beep! Toad and Little Blue Truck get ready for a hayride.
After the titular vehicle is loaded with hay, Toad is nowhere to be found. “Beep! Beep! Beep! Where are you, Toad?” asks Little Blue Truck. All the barnyard animals look for him. Sheep searches the meadow. Goose and Duck check the pond. Others pitch in, too, but Toad seems to have disappeared…until Hen hears snoring coming from the pile of hay in the back of Little Blue Truck. Although the text’s scansion is imperfect in places (adults may want to pre-read to ensure a smooth read-aloud), the bouncy meter and rhyming text nevertheless capture the energy of the search and the farmyard community’s concern for Toad’s safety, making this a solid storytime choice. Eye-catching illustrations with rich, fully saturated colors balance the right level of detail while still highlighting the animal that is the focus of each verse. By introducing one farm animal at a time, Schertle also helps the youngest readers begin to identify barnyard animals by name and understand their unique farm homes. Traditional animal sounds are part of the text, and listeners will add them to their vocabulary. It all ends with the promised hayride, bringing the tale to a joyous ending.
Fun times, fond friends, and a festive farmyard setting—little ones will be charmed. (Picture book. 4-7)Pub Date: Aug. 18, 2026
ISBN: 9780063436121
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: July 20, 2026
Kirkus Reviews Issue: Aug. 15, 2026
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by Alice Schertle ; illustrated by Jill McElmurry
BOOK REVIEW
by Alice Schertle ; illustrated by Jill McElmurry
BOOK REVIEW
by Alice Schertle ; illustrated by John Joseph
by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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More In The Series
by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
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