A poignant portrait of mother-daughter love in the face of death, without the attendant melodrama easily wrung from such...
Embracing a far smaller universe than her usual sweeping historical fare (The Language of Threads, 1999, etc.), Tsukiyama blossoms with an intimate portrait of a mother and her dying daughter.
Spanning only two days (but a lifetime of memories), the narrative is divided among Hana, her mother Cate, and teenaged goddaughter Josie. Hana is in the last stages of Werner’s Syndrome, a disease that speeds up aging. Though only 38, she has the stooped, birdlike appearance of someone in her 80s and has been subject to old-age ailments since she was barely out of college. Now in a final decline, mostly wheelchair-bound, Hana finds refuge in the memories of her childhood and particularly of her beloved father Max, recently deceased. Cate, still mourning the loss of her husband, also retreats into the past, her memories of a gentle prince in a Thunderbird convertible. They were an unlikely pair—Cate the Boston-bred daughter of Italians, Max a Japanese-American who suffered as a child in an internment camp—but devoted to each other and to Hana. When Werner’s Syndrome handed out an early death sentence to their only child, the couple was devastated. Less successfully thrown into the mix is the voice of Josie, daughter of Hana's childhood friend Lara. She’s in a particularly unpleasant teenage stage, seeing everyone as a fake, and her unhappiness about her parents’ separation (as well as life in general) throws a superfluous stitch into an otherwise seamless tale focused on the sorrows of dying. Against Hana's wishes, Lara flies with Josie in tow to their small northern California hometown, where Hana still lives. The visit provides an expected epiphany for Josie, but also a respite for Hana: loneliness and isolation had begun to cripple her spirit, but Lara's visit will reintroduce hope and happiness into the house.
A poignant portrait of mother-daughter love in the face of death, without the attendant melodrama easily wrung from such material.Pub Date: May 1, 2001
ISBN: 0-312-20607-0
Page Count: 304
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2002
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it...
Harris, creator of grand, symphonic thrillers from Fatherland (1992) to An Officer and a Spy (2014), scores with a chamber piece of a novel set in the Vatican in the days after a fictional pope dies.
Fictional, yes, but the nameless pontiff has a lot in common with our own Francis: He’s famously humble, shunning the lavish Apostolic Palace for a small apartment, and he is committed to leading a church that engages with the world and its problems. In the aftermath of his sudden death, rumors circulate about the pope’s intention to fire certain cardinals. At the center of the action is Cardinal Lomeli, Dean of the College of Cardinals, whose job it is to manage the conclave that will elect a new pope. He believes it is also his duty to uncover what the pope knew before he died because some of the cardinals in question are in the running to succeed him. “In the running” is an apt phrase because, as described by Harris, the papal conclave is the ultimate political backroom—albeit a room, the Sistine Chapel, covered with Michelangelo frescoes. Vying for the papal crown are an African cardinal whom many want to see as the first black pope, a press-savvy Canadian, an Italian arch-conservative (think Cardinal Scalia), and an Italian liberal who wants to continue the late pope’s campaign to modernize the church. The novel glories in the ancient rituals that constitute the election process while still grounding that process in the real world: the Sistine Chapel is fitted with jamming devices to thwart electronic eavesdropping, and the pressure to act quickly is increased because “rumours that the pope is dead are already trending on social media.”
An illuminating read for anyone interested in the inner workings of the Catholic Church; for prelate-fiction superfans, it is pure temptation.Pub Date: Nov. 22, 2016
ISBN: 978-0-451-49344-6
Page Count: 304
Publisher: Knopf
Review Posted Online: Sept. 6, 2016
Kirkus Reviews Issue: Sept. 15, 2016
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
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