Dense with material and flavor of the epoch.
An intimate biography of Henry VIII’s fifth queen: vivacious young woman who only wanted to have fun or a tragic victim of abusive elders?
In his largely sympathetic portrait of Catherine Howard (1523-1542), whose youthful flirtations spelled her downfall, Irish playwright and historian Russell (The Emperors: How Europe's Rulers Were Destroyed by the First World War, 2014, etc.) renders a fully fleshed portrait of Howard based around the details of her household and intimates. Indeed, the author’s study is so intricately woven in contextual detail that he often fails to see the forest for the trees—e.g., what were Catherine’s true motivations; was she just a flimsy bystander to her own fate? Her pampered upbringing as a noblewoman (granddaughter to Thomas Howard, the 2nd Duke of Norfolk) and sense of natural entitlement did not shield her from her father’s habitual indebtedness, and she received little in the way of formal education. Catherine was a ward of her rich aunt Agnes, the Dowager Duchess of Norfolk, and her teenage years were dotted with infatuations—e.g., with her music teacher, Henry Manox, and her aunt’s secretary, Francis Dereham. Russell sifts carefully through the evidence and dismisses the explanation of sexual abuse, as clearly Catherine was in love, especially with Dereham and later, as queen, with Thomas Culpeper, a handsome favorite of her husband. Her 16-month stint as queen revealed “the Henrician court in its twilight, a glittering but pernicious sunset,” when Henry had just divorced Anne of Cleves because he disliked her and impulsively married the charming Catherine on the day Thomas Cromwell was executed, July 28, 1540. Perhaps the marriage was engineered by her uncle Norfolk, who had grown jealous and suspicious of the former Protestant chief minister. Russell’s portrait effectively underscores the machinations of this volatile court, the treachery of sycophants, and the importance of the all-seeing servants.
Dense with material and flavor of the epoch.Pub Date: April 4, 2017
ISBN: 978-1-5011-0863-1
Page Count: 464
Publisher: Simon & Schuster
Review Posted Online: Jan. 23, 2017
Kirkus Reviews Issue: Feb. 1, 2017
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
PERSPECTIVES
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
SEEN & HEARD
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