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FAMILY OF SHADOWS

A CENTURY OF MURDER, MEMORY, AND THE ARMENIAN AMERICAN DREAM

Cultural history and memoir gracefully entwined.

A journalist debuts with a memoir of the struggles of his Armenian family to survive the political and military complexities and cruelties of the past century.

The history of Armenia is tangled, and the author wisely focuses on three principal biographical threads. The signal event is the massive 1988 earthquake that shook the region, killing tens of thousands of Armenians and rendering homeless hundreds of thousands more. The author then segues to the 1915 genocide perpetrated by the Turks on the Armenians—1.5 million killed. One fortunate survivor was the author’s great-grandfather Kaspar, a teen at the time, whose story drives the first part of the narrative. After losing his entire family, Kaspar wandered through a wasteland—suffering, experiencing both startling kindness and cruelty—eventually making his way to the United States in 1920, where he found relatives in the San Joaquin Valley in California. He worked hard and accumulated power, prestige and wealth among other Armenian immigrants. One of his sons, Richard (the author’s grandfather), was a bookish lad who eventually became a UCLA professor, the world’s most respected scholar on Armenian history—the multivolume The Republic of Armenia is his masterwork. Richard’s son Raffi (the author’s father), who also earned academic honors and graduate degrees, settled into a high-paying legal career, then surrendered all and took his family abroad, where he labored for years among his people to try to bring them hope and political stability. In and out of political favor, Raffi enjoyed periods of great popularity, political exile and deep poverty. Raffi’s first son was Garin (the author), whose story weaves in and out of Raffi’s in the final pages. Hovannisian narratives in a swift, novel-like style, slowed only occasionally by the mass of detail and by the geographical and political complexity.

Cultural history and memoir gracefully entwined.

Pub Date: Oct. 1, 2010

ISBN: 978-0-06-179208-3

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: June 14, 2010

Kirkus Reviews Issue: July 1, 2010

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TOMBSTONE

THE EARP BROTHERS, DOC HOLLIDAY, AND THE VENDETTA RIDE FROM HELL

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Rootin’-tootin’ history of the dry-gulchers, horn-swogglers, and outright killers who populated the Wild West’s wildest city in the late 19th century.

The stories of Wyatt Earp and company, the shootout at the O.K. Corral, and Geronimo and the Apache Wars are all well known. Clavin, who has written books on Dodge City and Wild Bill Hickok, delivers a solid narrative that usefully links significant events—making allies of white enemies, for instance, in facing down the Apache threat, rustling from Mexico, and other ethnically charged circumstances. The author is a touch revisionist, in the modern fashion, in noting that the Earps and Clantons weren’t as bloodthirsty as popular culture has made them out to be. For example, Wyatt and Bat Masterson “took the ‘peace’ in peace officer literally and knew that the way to tame the notorious town was not to outkill the bad guys but to intimidate them, sometimes with the help of a gun barrel to the skull.” Indeed, while some of the Clantons and some of the Earps died violently, most—Wyatt, Bat, Doc Holliday—died of cancer and other ailments, if only a few of old age. Clavin complicates the story by reminding readers that the Earps weren’t really the law in Tombstone and sometimes fell on the other side of the line and that the ordinary citizens of Tombstone and other famed Western venues valued order and peace and weren’t particularly keen on gunfighters and their mischief. Still, updating the old notion that the Earp myth is the American Iliad, the author is at his best when he delineates those fraught spasms of violence. “It is never a good sign for law-abiding citizens,” he writes at one high point, “to see Johnny Ringo rush into town, both him and his horse all in a lather.” Indeed not, even if Ringo wound up killing himself and law-abiding Tombstone faded into obscurity when the silver played out.

Buffs of the Old West will enjoy Clavin’s careful research and vivid writing.

Pub Date: April 21, 2020

ISBN: 978-1-250-21458-4

Page Count: 400

Publisher: St. Martin's

Review Posted Online: Jan. 19, 2020

Kirkus Reviews Issue: Feb. 15, 2020

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LIVES OTHER THAN MY OWN

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he...

The latest from French writer/filmmaker Carrère (My Life as a Russian Novel, 2010, etc.) is an awkward but intermittently touching hybrid of novel and autobiography.

The book begins in Sri Lanka with the tsunami of 2004—a horror the author saw firsthand, and the aftermath of which he describes powerfully. Carrère and his partner, Hélène, then return to Paris—and do so with a mutual devotion that's been renewed and deepened by all they've witnessed. Back in France, Hélène's sister Juliette, a magistrate and mother of three small daughters, has suffered a recurrence of the cancer that crippled her in adolescence. After her death, Carrère decides to write an oblique tribute and an investigation into the ravages of grief. He focuses first on Juliette's colleague and intimate friend Étienne, himself an amputee and survivor of childhood cancer, and a man in whose talkativeness and strength Carrère sees parallels to himself ("He liked to talk about himself. It's my way, he said, of talking to and about others, and he remarked astutely that it was my way, too”). Étienne is a perceptive, dignified person and a loyal, loving friend, and Carrère's portrait of him—including an unexpectedly fascinating foray into Étienne and Juliette's chief professional accomplishment, which was to tap the new European courts for help in overturning longtime French precedents that advantaged credit-card companies over small borrowers—is impressive. Less successful is Carrère's account of Juliette's widower, Patrice, an unworldly cartoonist whom he admires for his fortitude but seems to consider something of a simpleton. Now and again, especially in the Étienne sections, Carrère's meditations pay off in fresh, pungent insights, and his account of Juliette's last days and of the aftermath (especially for her daughters) is quietly harrowing.

Pub Date: Sept. 13, 2011

ISBN: 978-0-8050-9261-5

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Aug. 10, 2011

Kirkus Reviews Issue: Sept. 1, 2011

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