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THE BRUTUS CONSPIRACY

A fast-paced aviation thriller that sometimes reaches great heights.

In Lane’s debut thriller, an investigator is convinced that a plane crash that resulted in the deaths of two lawyers was no accident.

Some authorities believe that attorneys Todd Ashley and his friend, Jim, were drunk when their private plane went down, but pilot Becky Langevin uncovers data suggesting that their electronic instruments shut down during the flight. She teams up with lawyer Wilson “Will” Oakwood and Todd’s daughter, Maggie, and their investigation leads to a shadowy company, Brutus FL. It turns out that Brutus is connected to another crash years earlier which killed Becky’s father, who was piloting the plane, and Will’s father, a U.S. senator. The bulk of Lane’s novel is, as the title indicates, a conspiracy thriller: Becky doesn’t fully trust Will, as he works for Todd’s firm, which seems invested in keeping the investigation quiet; unknown persons easily destroy evidence of wrecked aircraft in locked hangars; and, all the while, someone’s trying to kill Becky, Will and Maggie. It’s a solid action novel that moves at a frantic pace; for example, there are two tension-filled plane rides before the page count hits double digits. But it also reveals itself as a taut legal thriller when attorney Will goes after Brutus in court; even something as minor as a ruling on a motion is surprisingly engaging. Becky is depicted as a steely protagonist with a fear of commitment and intimacy, although her love interest, Peter, remains underdeveloped. The author, an attorney and aviator himself, is unquestionably knowledgeable, as the aerial sequences are sensationally detailed (with jargon made understandable to nonpilots), and the courtroom scenes are filled with intelligent legalese. Other scenes, however, are given only a modicum of description, with dialogue often monopolizing the narrative; one chapter opening, for example, relays the setting and follows it with two solid pages of characters talking. Such moments don’t hurt the story, but they pale in comparison to other, more action-oriented scenes.

A fast-paced aviation thriller that sometimes reaches great heights.

Pub Date: Nov. 1, 2013

ISBN: 978-1492392545

Page Count: 388

Publisher: CreateSpace

Review Posted Online: Dec. 5, 2013

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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THE SILENT PATIENT

Amateurish, with a twist savvy readers will see coming from a mile away.

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A woman accused of shooting her husband six times in the face refuses to speak.

"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.

Amateurish, with a twist savvy readers will see coming from a mile away.

Pub Date: Feb. 5, 2019

ISBN: 978-1-250-30169-7

Page Count: 304

Publisher: Celadon Books

Review Posted Online: Nov. 3, 2018

Kirkus Reviews Issue: Nov. 15, 2018

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