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REFLECTIONS ON THE TRUE SHAKESPEARE

An unstuffy, stylistically refreshing Shakespeare study.

Awards & Accolades

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An erudite, persuasive debut study that makes a valuable contribution to the longtime debate over who authored William Shakespeare’s plays.

Goldstein makes it clear from the opening that he is an Oxfordian—not, as he points out, “a graduate of Oxford University” but rather “an independent scholar who holds that Shakespeare was written by Edward de Vere, 17th Earl of Oxford (1550-1604).” The author has significant experience in his field, as he conducted more than 25 years of research; established a peer-reviewed journal, The Elizabethan Review; and co-edited Brief Chronicles, a literary journal with a focus on authorship studies. This book collects essays and reviews that he published in British and American literary journals. At the beginning, he provides a short, precise biography of de Vere and indicates why he and other Oxfordians believe that he’s a good fit as the possible author of the plays attributed to Shakespeare. Goldstein takes time to brief those who may be unfamiliar with this scholarly debate, making it accessible to relative newcomers. That’s not to say that his work is oversimplified, however; on the contrary, Goldstein provides detailed literary exegesis regarding the Shakespeare plays’ allegorical language and the presence and significance of the Essex dialect in them (de Vere was born in Essex). The intricacies of his argument are engaging, right down to the pronunciation of “Shylock” in The Merchant of Venice: “If Shakespeare was born and raised in the county of Essex, he would have pronounced the name as Shillock.” Although Goldstein is aware that many people vehemently defend their own views on the authorship of Shakespeare’s works, his own approach is admirable in that it’s quietly and intelligently assertive. He doesn’t attempt to bludgeon readers with his arguments; rather, he accumulates evidence and then modestly allows readers to decide for themselves. His study would have benefited from a strong concluding statement, but its open-endedness could be interpreted as a call to arms, as he actively requests readers to contact him and contribute to the debate.

An unstuffy, stylistically refreshing Shakespeare study. 

Pub Date: Oct. 18, 2016

ISBN: 978-3-933077-47-9

Page Count: 252

Publisher: Verlag Laugwitz

Review Posted Online: Dec. 14, 2016

Kirkus Reviews Issue: Feb. 1, 2017

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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