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THE BOY WHO OWNED THE SCHOOL

A COMEDY OF LOVE

A total surprise from the award-winning author of, most recently, The Winter Room (1989, Newbery Honor): a comic, accessible novel about a classic 15-year-old klutz. Slight, quiet, and much brighter than his dismal grades imply, Jacob has focused his talents on the art of being invisible and thus avoiding the jocks, of whom he is the quintessential victim. Despite his efforts, though, he's noticed by a teacher who drafts him to run the fog machine for a production of The Wizard of Oz. Hopelessly enamored of Maria, the popular, genuinely nice girl who plays the witch, Jacob panics at the chance of getting to know her, manages (like the Phantom of the Opera) to keep out of sight as usual, fouls up completely (and hilariously) in his not-so-simple theatrical task—and discovers, finally, that Maria likes him, too. Since this is a Paulsen book, there's another level here. Jacob is so self-involved that he's oblivious to the subtleties of others' motives and assumes that he's the lowest in every pecking order—which is only partly true, and true in that part because he himself perpetuates it. The book is deftly constructed, the brief chapters like the blush strokes of a master painter, with remarkably apt sketches of minor characters (Uncle Frank, "tough as nails," looks "like a spark plug"). A perceptive portrait of a kid on the verge of getting out of his self-set trap of imagining any change as a threat—even change for the better: a memorably funny yet touching farce.

Pub Date: March 1, 1990

ISBN: 0440405246

Page Count: -

Publisher: Orchard/Watts

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Feb. 15, 1990

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TALES FOR VERY PICKY EATERS

Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)

Pub Date: May 1, 2011

ISBN: 978-0-547-14956-1

Page Count: 48

Publisher: Clarion Books

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: April 1, 2011

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LITTLE DAYMOND LEARNS TO EARN

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists.

How to raise money for a coveted poster: put your friends to work!

John, founder of the FUBU fashion line and a Shark Tank venture capitalist, offers a self-referential blueprint for financial success. Having only half of the $10 he needs for a Minka J poster, Daymond forks over $1 to buy a plain T-shirt, paints a picture of the pop star on it, sells it for $5, and uses all of his cash to buy nine more shirts. Then he recruits three friends to decorate them with his design and help sell them for an unspecified amount (from a conveniently free and empty street-fair booth) until they’re gone. The enterprising entrepreneur reimburses himself for the shirts and splits the remaining proceeds, which leaves him with enough for that poster as well as a “brand-new business book,” while his friends express other fiscal strategies: saving their share, spending it all on new art supplies, or donating part and buying a (math) book with the rest. (In a closing summation, the author also suggests investing in stocks, bonds, or cryptocurrency.) Though Miles cranks up the visual energy in her sparsely detailed illustrations by incorporating bright colors and lots of greenbacks, the actual advice feels a bit vague. Daymond is Black; most of the cast are people of color. (This book was reviewed digitally.)

It’s hard to argue with success, but guides that actually do the math will be more useful to budding capitalists. (Picture book. 7-9)

Pub Date: March 21, 2023

ISBN: 978-0-593-56727-2

Page Count: 40

Publisher: Random House

Review Posted Online: Dec. 13, 2022

Kirkus Reviews Issue: Jan. 1, 2023

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