When you hoe beets you're alone, so alone you might as well be on another planet," and when you work a carnival, it's like being separate, detached, "from outer space"—and it's the runaway narrator's immersion in these other worlds that gives Paulsen's high-key, deep-think story a real punch. At sixteen, he's not ready to take up his uncle's offer of 80 flat North Dakota acres, not without a try for fame and fortune. The breakaway (said to resemble Paulsen's own) lands him first among brutalized wetbacks on a sugar-beet farm where nearly a month of dry beans and bread and short-handled hoeing "from can to can't" nets him—"I'll call it even," says the smirking padrone. On the road again after attacking the boss, he's picked up by carnies Tiltawhirl John (for the ride he operates), hard/ soft wife Wanda, a stripper, and brother Billy, T-John's twin except for his shaved pate: he's the wild man who bites the heads off chickens. Billy's also the one who explains "the turkey world and the carny world," and—answering the boy's question—how it is that T-John can stand "all those turkeys seeing Wanda naked." But the glazed, bored, carny look that the boy learns—and his comfort at being one of the family—don't survive a fatal knife fight between T-John and Wanda's former lover that snaps the two worlds together. Home again farming, he won't forget, though, and neither will the reader. The acute observations outweigh the portentousness.
Pub Date: Dec. 31, 1978
ISBN: 0812492110
Page Count: -
Publisher: Thomas Nelson
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Dec. 1, 1978
Broccoli: No way is James going to eat broccoli. “It’s disgusting,” says James. Well then, James, says his father, let’s consider the alternatives: some wormy dirt, perhaps, some stinky socks, some pre-chewed gum? James reconsiders the broccoli, but—milk? “Blech,” says James. Right, says his father, who needs strong bones? You’ll be great at hide-and-seek, though not so great at baseball and kickball and even tickling the dog’s belly. James takes a mouthful. So it goes through lumpy oatmeal, mushroom lasagna and slimy eggs, with James’ father parrying his son’s every picky thrust. And it is fun, because the father’s retorts are so outlandish: the lasagna-making troll in the basement who will be sent back to the rat circus, there to endure the rodent’s vicious bites; the uneaten oatmeal that will grow and grow and probably devour the dog that the boy won’t be able to tickle any longer since his bones are so rubbery. Schneider’s watercolors catch the mood of gentle ribbing, the looks of bewilderment and surrender and the deadpanned malarkey. It all makes James’ father’s last urging—“I was just going to say that you might like them if you tried them”—wholly fresh and unexpected advice. (Early reader. 5-9)
Pub Date: May 1, 2011
ISBN: 978-0-547-14956-1
Page Count: 48
Publisher: Clarion Books
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
BOOK REVIEW
BOOK REVIEW
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