More a prose poem than a novel, this beautifully written evocation of a Minnesota farm perhaps 40 years ago consists of portraits of each of the four seasons, along with four brief stories told by old Uncle David in the room the family calls "The Winter Room." And, in its way most revealing, there is also an introduction ("Tuning") so skillfully written that it ironically belies its own message: that books cannot have smells, or sound, or light, since these must be supplied by the reader in response to the author's words. With his authentic descriptions, Paulsen makes it easy for the reader to comply. It's not clear to whom Eldon, the 11-year-old narrator, speaks—mostly he describes, rather than explains, though the explanatory creeps in: "Each cow has to have a calf or it won't. . .give milk." Unlike the novels of Laura Ingalls Wilder and Jean George, which also conjure life in a particular setting through the accumulation of detail, this presentation of the marvelous minutiae of farm life supports only a gossamer plot hinging on the relationship between story and reality. As carefully structured as cobweb, the idea is there, almost invisible, from early on, when emulating a feat in a Zane Grey novel results in a dangerous prank; it resurfaces in the character of Father, who doesn't answer questions but enjoys speaking in simile; and climaxes when Eldon's brother challenges the fragile illusion of Uncle David's stories by calling them lies, causing a moving philosophical crisis in this taciturn family. Readers will be rare, but this is too fine to be ignored as a shelf-sitter.
Pub Date: Oct. 1, 1989
ISBN: 0531058395
Page Count: -
Publisher: Orchard/Watts
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Sept. 15, 1989
A prototypical survival story: after an airplane crash, a 13-year-old city boy spends two months alone in the Canadian wilderness. In transit between his divorcing parents, Brian is the plane's only passenger. After casually showing him how to steer, the pilot has a heart attack and dies. In a breathtaking sequence, Brian maneuvers the plane for hours while he tries to think what to do, at last crashing as gently and levelly as he can manage into a lake. The plane sinks; all he has left is a hatchet, attached to his belt. His injuries prove painful but not fundamental. In time, he builds a shelter, experiments with berries, finds turtle eggs, starts a fire, makes a bow and arrow to catch fish and birds, and makes peace with the larger wildlife. He also battles despair and emerges more patient, prepared to learn from his mistakes—when a rogue moose attacks him and a fierce storm reminds him of his mortality, he's prepared to make repairs with philosophical persistence. His mixed feelings surprise him when the plane finally surfaces so that he can retrieve the survival pack; and then he's rescued. Plausible, taut, this is a spellbinding account. Paulsen's staccato, repetitive style conveys Brian's stress; his combination of third-person narrative with Brian's interior monologue pulls the reader into the story. Brian's angst over a terrible secret—he's seen his mother with another man—is undeveloped and doesn't contribute much, except as one item from his previous life that he sees in better perspective, as a result of his experience. High interest, not hard to read. A winner.
Pub Date: Sept. 1, 1987
ISBN: 1416925082
Page Count: -
Publisher: Bradbury
Review Posted Online: Oct. 18, 2011
Kirkus Reviews Issue: Aug. 15, 1987
A powerful story of family, belonging, and identity interlaced with thriller elements.
A wary teen wonders if she should run when people come looking for her.
Lucy Smith was raised by her white father, who said little about her mother. Following his death and her stepmother’s abandonment, Lucy entered the foster care system at 14. Her stepmother revealed that Lucy’s birth mom was Native American, but her social worker urged her to keep that quiet. Battered by her time in the foster care system, it’s no wonder that 18-year-old Lucy is cautious when she’s approached by a man who says he’s an attorney who helps Native American foster kids connect with their families and communities. He introduces her to a friend who reveals to Lucy that she knows her Ojibwe maternal relatives—but a wary Lucy refuses her offer to learn more. Someone is stalking her, after all, and the FBI is investigating the bomb that went off in the diner where she worked—an event she’s sure targeted her. This stand-alone from bestseller Boulley, who’s an enrolled member of the Sault Ste. Marie Tribe of Chippewa Indians, includes characters her fans will recognize from previous works. The action scenes are mediated by ruminations on the failings of the foster care system and strong portrayals of Lucy’s relationship with her father and her complicated identity. Ardent book lover Lucy is a sympathetic narrator whose strong sense of justice is coupled with a deep acceptance of others.
A powerful story of family, belonging, and identity interlaced with thriller elements. (content warning, author’s note) (Thriller. 14-18)Pub Date: Sept. 2, 2025
ISBN: 9781250328533
Page Count: 384
Publisher: Henry Holt
Review Posted Online: May 30, 2025
Kirkus Reviews Issue: July 1, 2025
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