THE WINTER ROOM

More a prose poem than a novel, this beautifully written evocation of a Minnesota farm perhaps 40 years ago consists of portraits of each of the four seasons, along with four brief stories told by old Uncle David in the room the family calls "The Winter Room." And, in its way most revealing, there is also an introduction ("Tuning") so skillfully written that it ironically belies its own message: that books cannot have smells, or sound, or light, since these must be supplied by the reader in response to the author's words. With his authentic descriptions, Paulsen makes it easy for the reader to comply. It's not clear to whom Eldon, the 11-year-old narrator, speaks—mostly he describes, rather than explains, though the explanatory creeps in: "Each cow has to have a calf or it won't. . .give milk." Unlike the novels of Laura Ingalls Wilder and Jean George, which also conjure life in a particular setting through the accumulation of detail, this presentation of the marvelous minutiae of farm life supports only a gossamer plot hinging on the relationship between story and reality. As carefully structured as cobweb, the idea is there, almost invisible, from early on, when emulating a feat in a Zane Grey novel results in a dangerous prank; it resurfaces in the character of Father, who doesn't answer questions but enjoys speaking in simile; and climaxes when Eldon's brother challenges the fragile illusion of Uncle David's stories by calling them lies, causing a moving philosophical crisis in this taciturn family. Readers will be rare, but this is too fine to be ignored as a shelf-sitter.

Pub Date: Oct. 1, 1989

ISBN: 0531058395

Page Count: -

Publisher: Orchard/Watts

Review Posted Online: Oct. 18, 2011

Kirkus Reviews Issue: Sept. 15, 1989

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For readers in need of a happy ending but not much else.

ALL THIS TIME

A modern-day fairy tale about two teenagers suffering from loss who find healing in one another.

Despite the ups and downs in their relationship, Kyle and Kimberly have always made up, and Kyle looks forward to attending college together after graduation. But on the night they should be celebrating, Kimberly confesses that she has committed to a different college and breaks up with him. As they argue, their car crashes, and Kyle later wakes up in the hospital and learns that Kimberly is dead. In his grief, Kyle blames himself for her death. He struggles to leave his bed most days, ignores calls from his and Kimberly’s best friend, Sam, and has visions of Kimberly and life before the accident. One day, while visiting Kimberly’s grave, he meets Marley, a girl who likes telling stories and is mourning the death of her twin sister. Predictably, their natural affinity for one another evolves into romance. It is unfortunate that Kyle essentially moves from one romantic relationship to another on his journey to better understanding himself and his co-dependence on those closest to him, although his gradual development into a more considerate person redeems him. The pacing remains even until the critical plot disruption, resulting in the rest of the story feeling disjointed and rushed. All characters are White.

For readers in need of a happy ending but not much else. (Fiction. 12-16)

Pub Date: Sept. 29, 2020

ISBN: 978-1-5344-6634-0

Page Count: 336

Publisher: Simon & Schuster

Review Posted Online: July 8, 2020

Kirkus Reviews Issue: Aug. 1, 2020

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Immersive and engaging, despite some flaws, and destined to capture imaginations.

CARAVAL

From the Caraval series , Vol. 1

Magic, mystery, and love intertwine and invite in this newest take on the “enchanted circus” trope.

Sisters raised by their abusive father, a governor of a colonial backwater in a world vaguely reminiscent of the late 18th century, Scarlett and Donatella each long for something more. Scarlett, olive-skinned, dark of hair and attitude, longs for Caraval, the fabled, magical circus helmed by the possibly evil Master Legend Santos, while blonde, sunny Tella finds comfort in drink and the embraces of various men. A slightly awkward start, with inconsistencies of attitude and setting, rapidly smooths out when they, along with handsome “golden-brown” sailor Julian, flee to Caraval on the eve of Scarlett’s arranged marriage. Tella disappears, and Scarlett must navigate a nighttime world of magic to find her. Caraval delights the senses: beautiful and scary, described in luscious prose, this is a show readers will wish they could enter. Dresses can be purchased for secrets or days of life; clocks can become doors; bridges move: this is an inventive and original circus, laced with an edge of horror. A double love story, one sensual romance and the other sisterly loyalty, anchors the plot, but the real star here is Caraval and its secrets.

Immersive and engaging, despite some flaws, and destined to capture imaginations. (Fantasy. 14 & up)

Pub Date: Jan. 31, 2017

ISBN: 978-1-250-09525-1

Page Count: 416

Publisher: Flatiron Books

Review Posted Online: Sept. 19, 2016

Kirkus Reviews Issue: Oct. 1, 2016

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