Eddie, a young Mexican-American scraping by in the mean streets of Fresno, California, counts four dead relatives and one dead friend in the opening, in-your-face lines of this new novel from Soto (Snapshots from the Wedding, p. 228, etc.). In bleak sentences of whispered beauty, Eddie tells how he dropped out of vocational college and is attempting to get by with odd jobs. His aunt and friends want him to avenge the recent murder of his cousin, but Eddie just wants to find a way out. Everything he tries turns soura stint doing yard work ends when his boss's truck is stolen on Eddie's watchand life is a daily battle for survival. This unrelenting portrait is unsparing in squalid details: The glue sniffers, gangs, bums, casual knifings, filth, and stench are in the forefront of a life without much hope``Laundry wept from the lines, the faded flags of poor, ignorant, unemployable people.'' Soto plays the tale straightthe only sign of a ``happy'' ending is in Eddie's joining the Navy. The result is a sort of Fresno Salaam Bombay without the pockets of humanity that gave the original its charm. A valuable tale, it's one that makes no concessions. (glossary) (Fiction. 12-14)
Pub Date: Sept. 1, 1997
ISBN: 0-15-201333-4
Page Count: 148
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 1997
A tale of forbidden love with intentional references to Shakespeare’s play, perhaps especially to its West Side Story incarnation, with a similar focus on issues of race and gangs. Julio Montague, a recent Texas transplant to Cincinnati, quickly falls for “Afroqueen” during cyber-chats on the Internet. He soon discovers his soulmate is African-American Romiette Cappelle, who coincidentally attends his high school. The two are destined to meet and fall in love, despite warnings from the local gang who strongly disapproves of their romance. After the two central players ignore several warnings, gun-wielding gang leaders kidnap them, bind them, and cast them adrift in a boat that is struck by lightning, nearly drowning them (and straining credibility). The parallels to Shakespeare’s play are often self-conscious and belabored, drawn at odd moments in the story. Still, a straightforward, uncluttered narrative will hook readers into the well-paced plot and sympathetic characters; loose ends are tied more neatly than a package, prettying up the ending by putting a happily-ever-after spin on the lovers’ fates. (Fiction. 12-14)
Pub Date: Sept. 1, 1999
ISBN: 0-689-82180-8
Page Count: 236
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
A legend in her own mind, former New Yorker Mary Elizabeth (“My true name is Lola”) Cep sweeps into her new suburban New Jersey high school and runs smack into a stone wall named Carla Santini: class queen, beautiful, clever, and vicious. In a series of sharp skirmishes, both teenagers display generous quantities of grit and ego, and though Lola beats out Carla for the lead in the school play, she also, thanks to a positive penchant for embellishing the truth, maneuvers herself into a reckless nighttime junket into Manhattan with her mousy friend, Ella. Hours later, the two find their wildest dreams coming true as they accompany a popular, very drunk rock star to a hot post-concert party. Sheldon (Boy Of My Dreams, 1997) gives her fast-talking protagonist a winning supporting cast (led by Ella, who turns out to be unexpectedly levelheaded and loyal in the crunch), a worthy rival and triumphs that are not easily won; readers will cheer the high spots, groan at the low, and applaud Lola in general for her grandly disarming style. (Fiction. 10-13)
Pub Date: Sept. 1, 1999
ISBN: 0-7636-0822-X
Page Count: 272
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1999
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