The great illustrations would have benefited from simpler text

LUCKY LUIS

A young Latino rabbit must overcome a snack-based superstition in this baseball-centered picture book.

Luis, anxious about his Little League tryouts, is encouraged by his father, who reminisces about the strange things he and his fellow teammates did for luck. At the supermarket, Luis visits Mrs. Garza, the bear with the food samples he and the other kids call “tryouts.” After enjoying his chorizo pizza, he manages to play well enough to make the team and stops for a sample on the way to the team’s first practice. After another great performance, he connects his baseball abilities with his pre-practice supermarket snacking. Unfortunately, various forces keep Luis from his “tryouts,” and his playing suffers. A couple of conversations with his father help him overcome his superstitious behavior in time for the big game, and he celebrates the victory with his extended family. Montijo’s exuberant animal characters and bright acrylics will appeal to readers but may not be enough to make up for Soto’s lackluster, wordy text. While baseball fans will be eager to enter Luis’ world, others may find the abrupt scene changes jarring and the plot difficult to follow. The inclusion of Latino names and occasional Spanish words will make the book especially appealing to younger Latinos interested in the sport.

The great illustrations would have benefited from simpler text . (Picture book. 4-7)

Pub Date: March 1, 2012

ISBN: 978-0-399-25404-6

Page Count: 32

Publisher: Putnam

Review Posted Online: Jan. 18, 2012

Kirkus Reviews Issue: Feb. 1, 2012

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THE GIRL WHO LOVED WILD HORSES

            There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses.  The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance.  But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him.  Goble tells the story soberly, allowing it to settle, to find its own level.  The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight.          6-7

Pub Date: Aug. 1, 1978

ISBN: 0689845049

Page Count: -

Publisher: Bradbury

Review Posted Online: April 26, 2012

Kirkus Reviews Issue: Sept. 1, 1978

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A culturally intricate slice of a lupine courier’s life.

¡VAMOS! LET'S GO TO THE MARKET

From the ¡Vamos! series

Little Lobo and his dog, Bernabé, journey through a Mexican mercado delivering diverse goods to a variety of booths.

With the aid of red words splattered throughout the spreads as labels, Raúl the Third gives an introduction to Spanish vocabulary as Little Lobo, an anthropomorphic wolf, leaves his house, fills his cart with objects from his warehouse, and delivers them to the market’s vendors. The journey also serves as a crash course in Mexican culture, as the images are packed with intertextual details such as food, traditional games, and characters, including Cantinflas, Frida Khalo, and Juan Gabriel. Readers acquainted with Raúl the Third’s characters from his Lowriders series with author Cathy Camper will appreciate cameos from familiar characters. As he makes his rounds, Little Lobo also collects different artifacts that people offer in exchange for his deliveries of shoe polish, clothespins, wood, tissue paper, paintbrushes, and a pair of golden laces. Although Raúl the Third departs from the ball-pen illustrations that he is known for, his depiction of creatures and critters peppering the borderland where his stories are set remains in his trademark style. The softer hues in the illustrations (chosen by colorist Bay) keep the busy compositions friendly, and the halftone patterns filling the illustrations create foregrounds and backgrounds reminiscent of Roy Lichtenstein’s pointillism.

A culturally intricate slice of a lupine courier’s life. (glossary) (Picture book. 4-7)

Pub Date: April 2, 2019

ISBN: 978-1-328-55726-1

Page Count: 40

Publisher: Versify/HMH

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

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