For linguists and readers truly thrilled by the meticulous study of languages.
Quirky facts about 60 European languages.
In his debut book in English, Dutch linguist and journalist Dorren, who speaks six languages and reads nine more, explores the origins, families, vocabularies, and grammars of 60 languages, dead (Dalmation), dying (Gaeltacht Irish), and alive. The political map of the continent appears as “a mass of solid monochromatic blocks,” the author writes, but a map of languages looks “more like a multi-colored mosaic in many places, while in other regions it resembles a floor that’s been sprinkled with confetti.” While he reveals many intriguing nuggets of information about languages from the familiar (French, German, Spanish) to the arcane (Manx, Ossetian, Sorbian), he assumes that readers have a fairly sophisticated knowledge of grammatical terms: absolutives, augmentatives, demonstratives, case, reflexive possessive pronouns, and ergative verbs may not be in every reader’s vocabulary. It helps to know the difference between subject and object, too, in order to grasp why the terms “agent” and “patient” are more appropriate to understanding Basque grammar. At the end of each chapter, Dorren cites a few words imported from that language into English: “anchovy,” from Portuguese; “avalanche” from Romansh (through French); “get” and “egg” from Early Norwegian. But nothing, sadly, from Latvian, or from Monégasque, a subdialect of Ligurian, spoken by about 100 people in Monaco. Besides borrowed words, Dorren suggests idiosyncratic terms that might well be taken up by English speakers: “Beloruchka,” Russian for a “ ‘white-hand person’; somebody who shirks dirty work”; or, from Slovak, “Proznovit,” “to make someone’s phone ring just once in the hope that they will call back.” The author describes his book as an “amuse-bouche,” a tasty morsel that gives diners a hint of a chef’s talent, and he certainly displays his own linguistic talents and enthusiasm for languages. Too often, however, he tells what people speak and where rather than how a language transformed and why.
For linguists and readers truly thrilled by the meticulous study of languages.Pub Date: Dec. 1, 2015
ISBN: 978-0-8021-2407-4
Page Count: 320
Publisher: Atlantic Monthly
Review Posted Online: Aug. 15, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
From the national correspondent for PBS's MacNeil-Lehrer Newshour: a moving memoir of her youth in the Deep South and her role in desegregating the Univ. of Georgia. The eldest daughter of an army chaplain, Hunter-Gault was born in what she calls the ``first of many places that I would call `my place' ''—the small village of Due West, tucked away in a remote little corner of South Carolina. While her father served in Korea, Hunter-Gault and her mother moved first to Covington, Georgia, and then to Atlanta. In ``L.A.'' (lovely Atlanta), surrounded by her loving family and a close-knit black community, the author enjoyed a happy childhood participating in activities at church and at school, where her intellectual and leadership abilities soon were noticed by both faculty and peers. In high school, Hunter-Gault found herself studying the ``comic-strip character Brenda Starr as I might have studied a journalism textbook, had there been one.'' Determined to be a journalist, she applied to several colleges—all outside of Georgia, for ``to discourage the possibility that a black student would even think of applying to one of those white schools, the state provided money for black students'' to study out of state. Accepted at Michigan's Wayne State, the author was encouraged by local civil-rights leaders to apply, along with another classmate, to the Univ. of Georgia as well. Her application became a test of changing racial attitudes, as well as of the growing strength of the civil-rights movement in the South, and Gault became a national figure as she braved an onslaught of hostilities and harassment to become the first black woman to attend the university. A remarkably generous, fair-minded account of overcoming some of the biggest, and most intractable, obstacles ever deployed by southern racists. (Photographs—not seen.)
Pub Date: Nov. 1, 1992
ISBN: 0-374-17563-2
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1992
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.
A light-speed tour of (mostly) Western poetry, from the 4,000-year-old Gilgamesh to the work of Australian poet Les Murray, who died in 2019.
In the latest entry in the publisher’s Little Histories series, Carey, an emeritus professor at Oxford whose books include What Good Are the Arts? and The Unexpected Professor: An Oxford Life in Books, offers a quick definition of poetry—“relates to language as music relates to noise. It is language made special”—before diving in to poetry’s vast history. In most chapters, the author deals with only a few writers, but as the narrative progresses, he finds himself forced to deal with far more than a handful. In his chapter on 20th-century political poets, for example, he talks about 14 writers in seven pages. Carey displays a determination to inform us about who the best poets were—and what their best poems were. The word “greatest” appears continually; Chaucer was “the greatest medieval English poet,” and Langston Hughes was “the greatest male poet” of the Harlem Renaissance. For readers who need a refresher—or suggestions for the nightstand—Carey provides the best-known names and the most celebrated poems, including Paradise Lost (about which the author has written extensively), “Kubla Khan,” “Ozymandias,” “The Charge of the Light Brigade,” Wordsworth and Coleridge’s Lyrical Ballads, which “changed the course of English poetry.” Carey explains some poetic technique (Hopkins’ “sprung rhythm”) and pauses occasionally to provide autobiographical tidbits—e.g., John Masefield, who wrote the famous “Sea Fever,” “hated the sea.” We learn, as well, about the sexuality of some poets (Auden was bisexual), and, especially later on, Carey discusses the demons that drove some of them, Robert Lowell and Sylvia Plath among them. Refreshingly, he includes many women in the volume—all the way back to Sappho—and has especially kind words for Marianne Moore and Elizabeth Bishop, who share a chapter.
Necessarily swift and adumbrative as well as inclusive, focused, and graceful.Pub Date: April 21, 2020
ISBN: 978-0-300-23222-6
Page Count: 304
Publisher: Yale Univ.
Review Posted Online: Feb. 8, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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