SOMEWHERE OVER THE RAINBOW

Name: SOMEWHERE OVER THE RAINBOW
Author: Gavin Bell
ISBN: 0-316-85359-3

by Gavin Bell ‧ RELEASE DATE: March 1, 2001

With an eye to the significant as well as the picturesque, this breezy and informative account captures the best and worst...

bookshelf

A British journalist who covered South Africa during the apartheid era revisits the country as a tourist and suggests that, while crime and corruption are hurting the new nation, its “exuberant assortment of races and tribes” will somehow survive.

As a reporter, Bell wrote only about politics, but in the late 1990s he wanted to see the sights and to learn more about the mix of people Archbishop Desmond Tutu christened the “Rainbow Nation.” So he spent six months touring the country, beginning and ending his travels (a mix of conventional sightseeing and journalistic fact-finding) in Cape Town. Bell climbed Table Mountain and visited such historically significant places as St. George’s Cathedral, site of many anti-apartheid protests, and Ruben Island, Nelson Mandela’s prison for 26 years. But he also attended a session of parliament, from which former foes now emerge arm-in-arm. He met “coloreds,” people of mixed race who feel the new African government is ignoring them, and whites like Humpies, an Afrikaans wine farmer who has adjusted to the change but is worried about crime. Bell then traveled west by car to Aplington in the desert, stopping along the way in Orange, a whites-only settlement, and at a farm with a pet cheetah that liked to watch television. He visited Johannesburg and Pretoria, as well as tourist spots like the Kruger Game Preserve and the casinos at Sun City. He concludes that South Africans’ two great concerns are crime and government corruption. Blacks and whites all cite their fear of the gangs that hijack cars, rape, and kill indiscriminately, turning formerly vibrant city centers into dangerous killing fields.

With an eye to the significant as well as the picturesque, this breezy and informative account captures the best and worst of the new South Africa.

Pub Date: March 1, 2001

ISBN: 0-316-85359-3

Page Count: 304

Publisher: Little, Brown UK/Trafalgar

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 2001

Categories:

GENERAL NONFICTION

bookshelf

NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

bookshelf

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

bookshelf

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

bookshelf

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.