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EMPIRE ANTARCTICA

ICE, SILENCE, AND EMPEROR PENGUINS

A literate, stylish memoir of personal adventure rich in history, geography and science.

A highly readable, enjoyable account of one man’s year serving as a doctor at Halley Research Station, the British Antarctic Survey’s base on the Brunt Ice Shelf.

Francis (True North: Travels in Arctic Europe, 2009) was looking for space, solitude and silence—and a chance to get close to emperor penguins—when he signed on with the survey’s medical unit. His job taking care of the men and women on the isolated base was undemanding, giving him time to read, gaze out his window, ski around the base, and help other crew members with their daily chores of keeping the base and its equipment operational and monitoring its research projects. Francis fills his account with many stories of early polar explorers and their ordeals in bitter weather and isolation, lacking as they did the benefits of modern technology that keep today’s polar crews in relative comfort and safety. A keen observer of his surroundings, the author writes vividly of auroras, clouds, stars, sunlight, darkness, ice and snow. Who but a doctor would describe a patch of pink-stained snow as “melting down like gently deflating lungs”? Francis is focused not on his companions but on what lies outside their shelter; although he profiles them briefly, readers do not get to know them well. The author makes clear that, on the base, rules of conduct are enforced, and there are a few hints of strife: He smuggled penguin eggs inside the base but was forced to get rid of them, and he was not allowed to dissect an adult bird. In one chapter, Francis discusses the psychological effects of isolated confinement; at the end of his year, his pleasure at his release into a green and fragrant world is clear. What gets surprisingly short shrift here is the emperor penguin, featured in the subtitle but out of reach for much of the author’s stay in Antarctica.

A literate, stylish memoir of personal adventure rich in history, geography and science.

Pub Date: Oct. 15, 2013

ISBN: 978-1-61902-184-6

Page Count: 304

Publisher: Counterpoint

Review Posted Online: Aug. 11, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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THE BOOK OF EELS

OUR ENDURING FASCINATION WITH THE MOST MYSTERIOUS CREATURE IN THE NATURAL WORLD

Unsentimental nature writing that sheds as much light on humans as on eels.

An account of the mysterious life of eels that also serves as a meditation on consciousness, faith, time, light and darkness, and life and death.

In addition to an intriguing natural history, Swedish journalist Svensson includes a highly personal account of his relationship with his father. The author alternates eel-focused chapters with those about his father, a man obsessed with fishing for this elusive creature. “I can’t recall us ever talking about anything other than eels and how to best catch them, down there by the stream,” he writes. “I can’t remember us speaking at all….Because we were in…a place whose nature was best enjoyed in silence.” Throughout, Svensson, whose beat is not biology but art and culture, fills his account with people: Aristotle, who thought eels emerged live from mud, “like a slithering, enigmatic miracle”; Freud, who as a teenage biologist spent months in Trieste, Italy, peering through a microscope searching vainly for eel testes; Johannes Schmidt, who for two decades tracked thousands of eels, looking for their breeding grounds. After recounting the details of the eel life cycle, the author turns to the eel in literature—e.g., in the Bible, Rachel Carson’s Under the Sea Wind, and Günter Grass’ The Tin Drum—and history. He notes that the Puritans would likely not have survived without eels, and he explores Sweden’s “eel coast” (what it once was and how it has changed), how eel fishing became embroiled in the Northern Irish conflict, and the importance of eel fishing to the Basque separatist movement. The apparent return to life of a dead eel leads Svensson to a consideration of faith and the inherent message of miracles. He warns that if we are to save this fascinating creature from extinction, we must continue to study it. His book is a highly readable place to begin learning.

Unsentimental nature writing that sheds as much light on humans as on eels.

Pub Date: May 5, 2020

ISBN: 978-0-06-296881-4

Page Count: 256

Publisher: Ecco/HarperCollins

Review Posted Online: Feb. 29, 2020

Kirkus Reviews Issue: March 15, 2020

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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