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EMPIRE ANTARCTICA

ICE, SILENCE, AND EMPEROR PENGUINS

A literate, stylish memoir of personal adventure rich in history, geography and science.

A highly readable, enjoyable account of one man’s year serving as a doctor at Halley Research Station, the British Antarctic Survey’s base on the Brunt Ice Shelf.

Francis (True North: Travels in Arctic Europe, 2009) was looking for space, solitude and silence—and a chance to get close to emperor penguins—when he signed on with the survey’s medical unit. His job taking care of the men and women on the isolated base was undemanding, giving him time to read, gaze out his window, ski around the base, and help other crew members with their daily chores of keeping the base and its equipment operational and monitoring its research projects. Francis fills his account with many stories of early polar explorers and their ordeals in bitter weather and isolation, lacking as they did the benefits of modern technology that keep today’s polar crews in relative comfort and safety. A keen observer of his surroundings, the author writes vividly of auroras, clouds, stars, sunlight, darkness, ice and snow. Who but a doctor would describe a patch of pink-stained snow as “melting down like gently deflating lungs”? Francis is focused not on his companions but on what lies outside their shelter; although he profiles them briefly, readers do not get to know them well. The author makes clear that, on the base, rules of conduct are enforced, and there are a few hints of strife: He smuggled penguin eggs inside the base but was forced to get rid of them, and he was not allowed to dissect an adult bird. In one chapter, Francis discusses the psychological effects of isolated confinement; at the end of his year, his pleasure at his release into a green and fragrant world is clear. What gets surprisingly short shrift here is the emperor penguin, featured in the subtitle but out of reach for much of the author’s stay in Antarctica.

A literate, stylish memoir of personal adventure rich in history, geography and science.

Pub Date: Oct. 15, 2013

ISBN: 978-1-61902-184-6

Page Count: 304

Publisher: Counterpoint

Review Posted Online: Aug. 11, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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H IS FOR HAWK

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a...

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  • Kirkus Reviews'
    Best Books Of 2015


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  • New York Times Bestseller


  • National Book Critics Circle Finalist

An inspired, beautiful and absorbing account of a woman battling grief—with a goshawk.

Following the sudden death of her father, Macdonald (History and Philosophy/Cambridge Univ.; Falcon, 2006, etc.) tried staving off deep depression with a unique form of personal therapy: the purchase and training of an English goshawk, which she named Mabel. Although a trained falconer, the author chose a raptor both unfamiliar and unpredictable, a creature of mad confidence that became a means of working against madness. “The hawk was everything I wanted to be: solitary, self-possessed, free from grief, and numb to the hurts of human life,” she writes. As a devotee of birds of prey since girlhood, Macdonald knew the legends and the literature, particularly the cautionary example of The Once and Future King author T.H. White, whose 1951 book The Goshawk details his own painful battle to master his title subject. Macdonald dramatically parallels her own story with White’s, achieving a remarkable imaginative sympathy with the writer, a lonely, tormented homosexual fighting his own sadomasochistic demons. Even as she was learning from White’s mistakes, she found herself very much in his shoes, watching her life fall apart as the painfully slow bonding process with Mabel took over. Just how much do animals and humans have in common? The more Macdonald got to know her, the more Mabel confounded her notions about what the species was supposed to represent. Is a hawk a symbol of might or independence, or is that just our attempt to remake the animal world in our own image? Writing with breathless urgency that only rarely skirts the melodramatic, Macdonald broadens her scope well beyond herself to focus on the antagonism between people and the environment.

Whether you call this a personal story or nature writing, it’s poignant, thoughtful and moving—and likely to become a classic in either genre.

Pub Date: March 3, 2015

ISBN: 978-0802123411

Page Count: 288

Publisher: Grove

Review Posted Online: Nov. 3, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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A FIRE STORY

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

A new life and book arise from the ashes of a devastating California wildfire.

These days, it seems the fires will never end. They wreaked destruction over central California in the latter months of 2018, dominating headlines for weeks, barely a year after Fies (Whatever Happened to the World of Tomorrow?, 2009) lost nearly everything to the fires that raged through Northern California. The result is a vividly journalistic graphic narrative of resilience in the face of tragedy, an account of recent history that seems timely as ever. “A two-story house full of our lives was a two-foot heap of dead smoking ash,” writes the author about his first return to survey the damage. The matter-of-fact tone of the reportage makes some of the flights of creative imagination seem more extraordinary—particularly a nihilistic, two-page centerpiece of a psychological solar system in which “the fire is our black hole,” and “some veer too near and are drawn into despair, depression, divorce, even suicide,” while “others are gravitationally flung entirely out of our solar system to other cities or states, and never seen again.” Yet the stories that dominate the narrative are those of the survivors, who were part of the community and would be part of whatever community would be built to take its place across the charred landscape. Interspersed with the author’s own account are those from others, many retirees, some suffering from physical or mental afflictions. Each is rendered in a couple pages of text except one from a fellow cartoonist, who draws his own. The project began with an online comic when Fies did the only thing he could as his life was reduced to ash and rubble. More than 3 million readers saw it; this expanded version will hopefully extend its reach.

Drawings, words, and a few photos combine to convey the depth of a tragedy that would leave most people dumbstruck.

Pub Date: March 5, 2019

ISBN: 978-1-4197-3585-1

Page Count: 160

Publisher: Abrams ComicArts

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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