Captivating medical narratives that fit well alongside those of Oliver Sachs, Atul Gawande, Jerome Groopman, and Berton...
A physician/writer celebrates the dynamism and transformation of the human body and life.
Francis (Adventures in Human Being: A Grand Tour from the Cranium to the Calcaneum, 2015, etc.), who regularly contributes to the London Review of Books and the Guardian, brings well-honed knowledge to these short chapters on the perpetual metamorphosis of the human body. What makes the book fun to read is not only the author’s limpid anecdotes, but also his abiding marvel at the body’s endless expressions. Francis ranges freely and skillfully from the strange to the elemental, such as pregnancy, “a primitive reminder that [the body’s] changes are often beyond control; that bodies have their own rhythms, waypoints and fixed destinations.” The author also explores the body’s acts: sleep, for example, during which vital cerebral hygiene is at stake, and dreaming, which tends to our restless minds and “transforms our fear, shame and dark ambitions into…narratives.” Francis is clearly drawn to curiosities, but he never makes them seem freakish—nor is he judgmental, but rather colorfully frank: Think steroids are the only road to a fine physique? Consider the risks of diabetes, infertility, depression, uncontainable bouts of rage, and wicked acne. These chapters can easily be read as stand-alones—the chapter on jetlag is followed by one on ancient and modern bone-setting techniques—but it’s also satisfying to binge-read a number of them at once. While it might be disappointing to read that “we don’t have much idea as to why we laugh”; appalling to consider that late-19th-century Vatican officials were still castrating young boys for its choir; and infuriating to read that the return of tuberculosis is a direct result of poverty, as are so many other maladies, Francis always makes you think.
Captivating medical narratives that fit well alongside those of Oliver Sachs, Atul Gawande, Jerome Groopman, and Berton Roueché.Pub Date: June 5, 2018
ISBN: 978-1-5416-9752-2
Page Count: 288
Publisher: Basic Books
Review Posted Online: April 2, 2018
Kirkus Reviews Issue: April 15, 2018
BOOK REVIEW
BOOK REVIEW
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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