Perfect for animal lovers and old souls who harbor a touch of melancholy.

MY BISON

A lonely child and a bison become soul mates in this affecting French fantasy.

A little girl is walking with her mother the first time she encounters the creature. After a few days, she gets close enough to touch him—and, eventually, to feed him. Wisniewski’s narrative, voiced in the first person by the protagonist, is spare, stating the essentials. Sometimes it is only a sentence or two on an otherwise blank page, a choice that draws attention to the exquisite charcoal-and-ink compositions, arranged in changing page designs. The shaggy softness of the bulky creature is matched by the white girl’s appearance, her wooly layers underscoring their simpatico relationship. They sometimes blend together. A friendship is established, with the bison reappearing each winter. The first time he returns, strokes of blue watercolor animate the snowy woodland scene, the bison spotlighted in a clearing. A cozy spread shows the two sipping hot chocolate indoors while the girl tells stories: “Sometimes he wouldn’t say anything. / I loved his silence.” Eventually both characters’ hair turns white. The last time they are together, she wonders if he misses his mother as much as she misses hers. Searching for him in vain the next winter under a blue, starlit sky, she finally realizes: “He was always with me.” Wisniewski’s words and images capture the deep satisfaction of an interspecies bond.

Perfect for animal lovers and old souls who harbor a touch of melancholy. (Picture book. 5-8)

Pub Date: March 3, 2020

ISBN: 978-1-61689-886-1

Page Count: 36

Publisher: Princeton Architectural Press

Review Posted Online: Dec. 8, 2019

Kirkus Reviews Issue: Jan. 1, 2020

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Hee haw.

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...

CLAYMATES

Reinvention is the name of the game for two blobs of clay.

A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.

The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)

Pub Date: June 20, 2017

ISBN: 978-0-316-30311-8

Page Count: 40

Publisher: Little, Brown

Review Posted Online: March 29, 2017

Kirkus Reviews Issue: April 15, 2017

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