Offers interesting information on a lesser-known hero.
A true story of true allyship.
This straightforward historical retelling follows the life of Evelyn Hooker, a straight White woman born in Nebraska in 1907, her studies and career in psychology, and the impact of her work to depathologize homosexuality. Some detours explain antisemitism and Hitler’s Germany (Hooker was staying with a Jewish family in Berlin at the time), the cultural context of tuberculosis, and advances in feminism predominantly benefitting White women. Hooker’s pioneering research at UCLA was pivotal in the American Psychiatric Association’s 1973 decision to remove homosexuality from the Diagnostic and Statistical Manual of Mental Disorders. The story is often interrupted by a variety of poetic forms, ranging from found poems to limericks to a sonnet, which distract more than they engage. A helpful note at the beginning of this book reminds readers that, “Language is fluid, and the terminology used to describe sexual orientation has evolved over time to be more specific and respectful,” but given the era and the events described, the work uses “labels like ‘homosexual’ and ‘homosexuality’ in a historical context, and refers mostly to ‘gay people’ or ‘gay men,’ rather than the diverse array of identities we appreciate today.” On the whole, this offers helpful material for young researchers and audiences curious about LGBTQ+ history. Spot art and floral page decorations appear throughout.
Offers interesting information on a lesser-known hero. (timeline, discussion questions, ally guide, suggested reading, other resources, endnotes) (Nonfiction. 12-15)Pub Date: Sept. 28, 2021
ISBN: 978-1-4338-3047-1
Page Count: 160
Publisher: Magination/American Psychological Association
Review Posted Online: Aug. 15, 2021
Kirkus Reviews Issue: Sept. 1, 2021
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study.
On the verge of her 80th birthday (Feb. 18, 2013), Ono steps out of her iconic late husband’s shadow for a sympathetic profile.
The authors present her as a groundbreaking creative artist whose work has been misunderstood, not to say derided, for decades and who was unjustly vilified as the woman who broke up the Beatles. They describe a comfortable upbringing in Japan and the United States, childhood experiences in World War II and artistic development as part of New York’s avant-garde scene in the 1950s and early ’60s. The book goes on to chronicle her relationships with various husbands, including “soul mate” John Lennon, and her two children, life as a peace-activist celebrity in the ’70s, and (in much less detail) her activities, honors and exhibitions after Lennon’s death. The account is occasionally trite (“Yoko and John were stressed to the max”) or platitudinous, and it’s unlikely to persuade younger (or any) readers to appreciate Yoko’s creations—which run to works like an 80-minute film of naked rumps walking by and sets of chess pieces that are all the same color—as great art. Nevertheless, it does impart a good sense of conceptual and performance art’s purposes and expressions along with a detailed portrait of a complex woman who for several reasons has a significant place in our cultural history.
Even rabid fans of Lennon or the 1960s will find new information and angles in this searching study. (photos, timeline to 2009, resource lists) (Biography. 12-15)Pub Date: Jan. 1, 2013
ISBN: 978-1-4197-0444-4
Page Count: 184
Publisher: Amulet/Abrams
Review Posted Online: Nov. 30, 2012
Kirkus Reviews Issue: Dec. 15, 2012
PROFILES
Insofar as the reading level of the book for adults is on a par with this effort—for the most part, only the substance has...
This distillation of the best-selling Killing Jesus: A History (2013) retains the original’s melodramatic tone and present-tense narration. Also its political agenda.
The conservative pundit’s account of Jesus’ life and, in brutal detail, death begins with a nonsensically altered title, an arguable claim to presenting a “fact-based book” and, tellingly, a list of “Key Players” (inserted presumably to help young readers keep track of all the names). Like its source, its prose is as purple as can be, often word for word: “There is a power to Jesus’s gait and a steely determination to his gaze.” Harping on “taxes extorted from the people of Judea” as the chief cause of continuing local unrest, the author presents Jewish society as governed with equal force by religious ritual and by the Romans, and he thoroughly demonizes Herod Antipas (“he even looks the part of a true villain”). Alterations for young readers include more illustrations, periodic sidebars, far fewer maps and a streamlining of context so that the focus is squarely on Jesus, with less attention on the historical moment—an unfortunate choice. Assorted notes on 16 various side topics, from a look at Roman roads to the rise of the cross as a Christian symbol, follow. A mix of 19th-century images, photos of ancient sites and artifacts supplement frequent new illustrations (not seen) from Low.
Insofar as the reading level of the book for adults is on a par with this effort—for the most part, only the substance has been simplified—it’s hard to see the value of this iteration. (source list, recommended reading) (Biography. 12-15)Pub Date: April 1, 2014
ISBN: 978-0-8050-9877-8
Page Count: 320
Publisher: Henry Holt
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
