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YOU DON'T HAVE TO BE YOUR MOTHER

The moving memoir of a woman who discovered she had breast cancer when she was eight months pregnant—and the same age as her mother was when she died of breast cancer in her 40s. In a period of less than three weeks, Feldman (an editor at Publishers Weekly) had her baby's birth induced and her breast removed. The baby was healthy and the operation successful. A year later, she had her second breast removed as a prophylactic measure- -to ward off the 50%-60% chance that the cancer would reoccur. Those are the unadorned facts. But this is a tale of quiet courage, told by a woman who, as a teenager, had watched her mother slowly die because her cancer had been misdiagnosed until it was too late. Although Feldman also had seen a sister-in-law and a friend die of breast cancer, she had friends who had survived, strong support from her husband's family in England and from her own in Philadelphia, and an extraordinary husband. There was also plenty of money, good health coverage, and help at home for the baby. She had the luck—or the good judgment or the savvy or the drive—to find talented and compassionate doctors, including obstetrician, surgeons, and oncologist. That most of them were women for this most female of experiences may not be a coincidence. But this is also a diary of fear, loss, anger, confusion, and frustration. In an effort to still the anxiety of repeating her mother's experience, she explores her mother's stoical last years and wonders why mystery surrounded the operations and hospital sojourns. ``Talking wasn't done in those days,'' explains an older woman who had survived. Feldman makes up for that generation's silence by talking with simple honesty, without self-pity, about her three weeks in hell.

Pub Date: May 23, 1994

ISBN: 0-393-03640-5

Page Count: 256

Publisher: Norton

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1994

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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