by Gayle Greene ‧ RELEASE DATE: Jan. 17, 2023
An edifying and inspiring argument for the imperishable value of a liberal education.
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Greene offers a spirited defense of a liberal education not reducible to quantitative assessments.
The author, a literary critic and professor emerita at Scripps College, observes that society has lost its faith in the power of liberal education, once understood as the surest path to the “cultivation of the human and the creation of a citizenry capable of democracy.” Greene notes that the institution was once cherished for training students in the responsible stewardship of one’s own freedom. However, the tide of opinion has turned against it in recent years, caricaturing it as feckless navel-gazing; now decision-makers want unambiguously measurable results, usually of the kind that point to economic progress. But quantitative rubrics are incapable of measuring the fundamentally ineffable—including the manifold benefits yielded by an education in the humanities and the magic of a professor’s personal interactions with their students.Instead of “accountability,” an anodyne bureaucratic word that “refers to something that can be calculated, measured, as in a tallying up, keeping score,” Greene prefers to prioritize “responsibility,” a term that implies responsiveness and engagement and suggests the obligations teachers and students have to each other and to themselves. Without such a perspective, those who join the workforce are missing the bigger picture, a point powerfully made by the author: “Checking off boxes gets you doctors who can read numbers on a screen but can’t hear what a patient is saying; architects who fail to imagine how a housing project affects a neighborhood; engineers who fail to ask how a dam affects the population downstream; software makers who have no idea if their program can be used by nonexperts.”
Greene furnishes the reader with a concrete example of the responsibility she prizes by discussing her teaching of Shakespeare (depicted in a “composite of many classes” the author taught over the course of 40 years at Scripps College). Greene convincingly demolishes the benighted obsession with formulaic teaching assessments and astutely limns the nature of the classroom experience, a “relationship, a crisscross of relationships, two-ways, multiple ways, fraught with the complexities that come with a relationship, times ten, times a thousand.” This is the principal virtue of the book: an aversion to approaches that lack nuance or depth; Greene admirably refuses to succumb to the currents of the time. Moreover, her defense of the humanities as a devotion to an endless fascination with all things human is as philosophically rigorous as it is affectingly impassioned. At the crux of that argument is the formidable figure of Shakespeare, the “heart of humanism.” Greene writes, “I came away feeling, that’s what we love about Shakespeare, he makes us feel good about being human. It was a feeling more than a thought, a flash more than a feeling. I don’t know how else to say it, just glad to be a part of it, humanity in all its silliness, splendor, squalor, sordidness, grandeur, outrageousness.” This is an important contribution to today’s education debates and a sterling example of the intellectual virtues it valorizes. An edifying and inspiring argument for the imperishable value of a liberal education.Pub Date: Jan. 17, 2023
ISBN: 9781421444604
Page Count: 384
Publisher: N/A
Review Posted Online: March 17, 2023
Review Program: Kirkus Indie
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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PERSPECTIVES
by Brandon Stanton ‧ RELEASE DATE: Oct. 7, 2025
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.
Portraits in a post-pandemic world.
After the Covid-19 lockdowns left New York City’s streets empty, many claimed that the city was “gone forever.” It was those words that inspired Stanton, whose previous collections include Humans of New York (2013), Humans of New York: Stories (2015), and Humans (2020), to return to the well once more for a new love letter to the city’s humanity and diversity. Beautifully laid out in hardcover with crisp, bright images, each portrait of a New Yorker is accompanied by sparse but potent quotes from Stanton’s interviews with his subjects. Early in the book, the author sequences three portraits—a couple laughing, then looking serious, then the woman with tears in her eyes—as they recount the arc of their relationship, transforming each emotional beat of their story into an affecting visual narrative. In another, an unhoused man sits on the street, his husky eating out of his hand. The caption: “I’m a late bloomer.” Though the pandemic isn’t mentioned often, Stanton focuses much of the book on optimistic stories of the post-pandemic era. Among the most notable profiles is Myles Smutney, founder of the Free Store Project, whose story of reclaiming boarded‑up buildings during the lockdowns speaks to the city’s resilience. In reusing the same formula from his previous books, the author confirms his thesis: New York isn’t going anywhere. As he writes in his lyrical prologue, “Just as one might dive among coral reefs to marvel at nature, one can come to New York City to marvel at humanity.” The book’s optimism paints New York as a city where diverse lives converge in moments of beauty, joy, and collective hope.
A familiar format, but a timely reminder that cities are made up of individuals, each with their own stories.Pub Date: Oct. 7, 2025
ISBN: 9781250277589
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Aug. 1, 2025
Kirkus Reviews Issue: Sept. 1, 2025
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by Stephanie Johnson & Brandon Stanton illustrated by Henry Sene Yee
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by Brandon Stanton photographed by Brandon Stanton
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