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THE LAST MAN IN BERLIN

Veteran Dold (Samedi’s Knapsack, 2001, etc.) is better at settings than plotting, and his middles have been known to sag....

A good cop battles to stay that way as the Nazis surge and the German republic crumbles.

“I am Kripo to the core,” says Chief Inspector Harry Wulff. Kripo: the plainclothes branch of the Berlin Metropolitan Police in the years just before Hitler and his “shirts” dismantled it. Not only is Harry a good cop, he’s a good man: incorruptible, committed to his job, a loyal friend, and a steadfast lover, this last a major problem for him. The woman he adores is Joanna Davidov, Jewish (Harry is not) at a time when her people are being vilified without restraint. (Goebbels: “The Jews are a scourge on Germany’s lungs.”) Assigned to investigate the brutal murder of two transvestites, Harry is torn between the demands of that complex case and his concern for Joanna. Sensing mounting danger, he begs her to leave for safety in Switzerland, where she has friends. Though frightened—she sees what he sees—Joanna refuses to go without him, and it’s plain to both that for Harry to flee would translate to a desertion tantamount to self-betrayal. Suddenly, the case turns personal. A sickeningly accurate cutout doll, clearly meant to represent one of the victims, arrives in the mail, and Joanna, a psychoanalyst, reaches a disturbing conclusion. In a weird and convoluted way, she says, the killer has established Harry as a stand-in for the father he hates. What worries Harry more, however, is that the killer has connected Joanna to him. And there are other connections, linking this psychopath to some who are entrenched in the Nazi power structure. Soon enough, the question becomes: If Harry and Joanna do decide to run, will there be time?

Veteran Dold (Samedi’s Knapsack, 2001, etc.) is better at settings than plotting, and his middles have been known to sag. His endings, though, tend to perk things up. This one sizzles.

Pub Date: Oct. 1, 2003

ISBN: 1-4022-0124-9

Page Count: 368

Publisher: Sourcebooks Landmark

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2003

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THE TRUANTS

Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.

A group of friends at a British college, all connected to the same charismatic scholar of Agatha Christie’s work, are torn apart by secrets and deceptions.

When Jess Walker begins to contemplate going to college, there is only one clear choice: She has to attend the university where Dr. Lorna Clay teaches. Lorna is the author of The Truants, a brilliant work arguing that great artists must destroy their personal lives to create, which has captured Jess’ imagination ever since she was given the book by her uncle. Once Jess starts college in East Anglia, she strikes up a friendship with Georgie, a wealthy socialite with a proclivity to dipping into her mother’s pill drawer; Alec, a 20-something white South African journalist on fellowship at the university; and Nick, a geology student who quickly falls for Jess. A middle child from a farming village, Jess instantly feels her life become more vibrant in the company of her exotic companions. And at the head of it all is the brilliant Lorna, who permeates the boundaries of their lives as students to attend their parties and become their confidante and, eventually, their friend, especially to Jess, who wants to follow in Lorna’s footsteps professionally and personally. But as the relationships among the five become more and more tangled, a tragedy suddenly shatters their lives, forcing Jess to confront the illusory nature of really knowing another. Aside from some slight plausibility issues (if only teenagers’ lives were changed by works of literary scholarship!), Weinberg has written one of the best thriller debuts in recent years, with all the cleverness of Ruth Ware (and, yes, even Christie herself) and a dash of Donna Tartt’s edgy darkness.

Though Christie fans may be particularly delighted, this propulsive, pitch-perfect thriller has something for everyone.

Pub Date: Jan. 28, 2020

ISBN: 978-0-525-54196-7

Page Count: 320

Publisher: Putnam

Review Posted Online: Sept. 1, 2019

Kirkus Reviews Issue: Sept. 15, 2019

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THE LAST ACT

The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s...

The FBI hires an aging child actor to go undercover in a West Virginia prison to extract vital information from a convicted money launderer who’d rather keep his head down.

Tommy Jump’s best days onstage are probably behind him. At 27, he’s too old to play children or even teenagers. But as his old schoolmate Danny Ruiz, who’s now with the FBI, assures him, he’s not too old to earn a fat paycheck by playing the role of Peter Lenfest Goodrich, the high school history teacher who reacted to a bank’s plans to foreclose on his mortgage by robbing the bank and then getting caught. Danny is convinced that Tommy’s just the person to worm himself into the confidence of Mitchell Dupree, whose job as an executive in the Latin American division at Union South Bank was seriously compromised when he laundered millions for El Vio, the fearsome, half-blind boss of the New Colima Cartel. Mitch has a wife and two children just beginning the long wait outside for him to serve his time, and although he’s arranged for the documentary evidence he assembled against El Vio to be turned over to the authorities if anything untoward happens to him, he’s not about to upset the apple cart by talking out of turn—unless of course it’s to innocuous Pete Goodrich, who’ll be serving time alongside him in the minimum security Morgantown Prison as soon as he pleads guilty and bids a tearful farewell to Amanda Porter, Tommy’s actual fiancee, who’s just found out she’s pregnant. After all, Tommy’s been acting professionally for most of his life, and the FBI will spring him on a moment’s notice if he gets into trouble, so what could possibly go wrong? Fans of Parks’ well-oiled thrillers (Closer than You Know, 2018, etc.) won’t even bother to ask; they’ll be too busy licking their chops anticipating the twists that are bound to come.

The setup is so patient and the logistics so matter-of-fact that even the savviest readers will be caught in the story’s expertly laid traps before they know what’s happening.

Pub Date: March 12, 2019

ISBN: 978-1-5247-4353-6

Page Count: 384

Publisher: Dutton

Review Posted Online: Nov. 25, 2018

Kirkus Reviews Issue: Dec. 15, 2018

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