Beautifully transcends its seeming simplicity.
Economically drawn and narrated, this translated work from Korea spotlights a bear cub’s naïveté and determination.
An italicized, scene-setting line of text appears against a page depicting snow, tall conifers, and the bear cub’s tracks: “Baby bear got up early, by himself.” “Tok”—a red fruit bounces off the hungry cub’s head. Finding the morsel delicious, the bear declares, “I want to eat more.” He begins to climb, successively encountering three red shapes that initially appear to be more tantalizing fruit but reveal themselves to be a caterpillar, a squirrel, and a beehive. As the cub climbs, the perspective shifts between close- and mid-range spreads and long views of his diminutive form amid the pine forest. At the very top, the bear sees “nothing.” But the setting sun’s red blaze tints the branches, catching his eye. “It looks delicious!” Leaping, he falls—first, backlit against the huge orb, then past beehive, squirrel, and caterpillar into the voluminous embrace of a parent, waiting with two other cubs and piles of red fruit. Rendered in inky, grainy gradations of gray-to-black, accented with red and yellow, Lee’s pictures capture the forest’s beauty, evoking traditional brush painting. The bears’ spreading pads and claws seem as significant as their physiognomy—which nonetheless quietly conveys sensations of curiosity, satiety, surprise, and (in the parent bear) implacable aplomb. (This book was reviewed digitally.)
Beautifully transcends its seeming simplicity. (Picture book. 3-8)Pub Date: Nov. 14, 2023
ISBN: 9781646147007
Page Count: 64
Publisher: Levine Querido
Review Posted Online: Aug. 12, 2023
Kirkus Reviews Issue: Sept. 1, 2023
BOOK REVIEW
BOOK REVIEW
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among
Pete, the cat who couldn’t care less, celebrates Christmas with his inimitable lassitude.
If it weren’t part of the title and repeated on every other page, readers unfamiliar with Pete’s shtick might have a hard time arriving at “groovy” to describe his Christmas celebration, as the expressionless cat displays not a hint of groove in Dean’s now-trademark illustrations. Nor does Pete have a great sense of scansion: “On the first day of Christmas, / Pete gave to me… / A road trip to the sea. / GROOVY!” The cat is shown at the wheel of a yellow microbus strung with garland and lights and with a star-topped tree tied to its roof. On the second day of Christmas Pete gives “me” (here depicted as a gray squirrel who gets on the bus) “2 fuzzy gloves, and a road trip to the sea. / GROOVY!” On the third day, he gives “me” (now a white cat who joins Pete and the squirrel) “3 yummy cupcakes,” etc. The “me” mentioned in the lyrics changes from day to day and gift to gift, with “4 far-out surfboards” (a frog), “5 onion rings” (crocodile), and “6 skateboards rolling” (a yellow bird that shares its skateboards with the white cat, the squirrel, the frog, and the crocodile while Pete drives on). Gifts and animals pile on until the microbus finally arrives at the seaside and readers are told yet again that it’s all “GROOVY!”
Pete’s fans might find it groovy; anyone else has plenty of other “12 Days of Christmas” variants to choose among . (Picture book. 4-8)Pub Date: Sept. 18, 2018
ISBN: 978-0-06-267527-9
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 19, 2018
Kirkus Reviews Issue: Sept. 1, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it.
What happens when a robot washes up alone on an island?
“Everything was just right on the island.” Brown beautifully re-creates the first days of Roz, the protagonist of his Wild Robot novels, as she adapts to living in the natural world. A storm-tossed ship, seen in the opening just before the title page, and a packing crate are the only other human-made objects to appear in this close-up look at the robot and her new home. Roz emerges from the crate, and her first thought as she sets off up a grassy hill—”This must be where I belong”—is sweetly glorious, a note of recognition rather than conquest. Roz learns to move, hide, and communicate like the creatures she meets. When she discovers an orphaned egg—and the gosling Brightbill, who eventually hatches—her decision to be his mother seems a natural extension of her adaptation. Once he flies south for the winter, her quiet wait across seasons for his return is a poignant portrayal of separation and change. Brown’s clean, precise lines and deep, light-filled colors offer a sense of what Roz might be seeing, suggesting a place that is alive yet deeply serene and radiant. Though the book stands alone, it adds an immensely appealing dimension to Roz’s world. Round thumbnails offer charming peeks into the island world, depicting Roz’s animal neighbors and Brightbill’s maturation.
A hymn to the intrinsic loveliness of the wild and the possibility of sharing it. (author’s note) (Picture book. 3-6)Pub Date: June 24, 2025
ISBN: 9780316669467
Page Count: 48
Publisher: Little, Brown
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
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