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THE GIRL WHO WAS TOO BIG FOR THE PAGE

Gawky and heavy-handed.

A growth spurt shoots the protagonist right off the page in Academy Award–winning actor Davis’ debut picture book.

Sheila is the self-aware star of her own story. She’s “rather proud” of being “a girl who [lives] in a book,” since a captive audience will “read the book and wonder about her and want to know just what her deal” is. Pale-skinned with sandy-brown hair, Sheila hits developmental milestones: She walks, she talks, she starts kindergarten, and, as one generally does, she gets older—“exactly one year older for every year that [goes] by.” Then, a dramatic, off-page growth spurt “change[s] everything.” Readers can still see Sheila, “but only about up to her neck.” Sheila contorts herself to stay visible but becomes “very self-conscious.” It takes reassurance from a friend to remind her that “people are valuable and special no matter what’s different about them.” Davis’ watercolorlike illustrations feature pastel-hued portraits in occasionally clumsy proportions that vary little in perspective. The conflict is abruptly resolved, while the pseudo-meta construct of framing the moral within a picture book feels forced; the message for readers to be comfortable taking up space is far more capably accomplished in Vashti Harrison’s Caldecott Medal–winning Big (2023).

Gawky and heavy-handed. (Picture book. 4-8)

Pub Date: April 29, 2025

ISBN: 9780593463963

Page Count: 34

Publisher: Philomel

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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THE PUMPKIN THIEF

From the Leaf Thief series

More fun antics to satisfy returning fans and snag new ones.

Not even the arrival of autumn can cool down this impetuous squirrel.

Although Squirrel is skeptical about Bird’s vegetable patch (“Nothing is HAPPENING!”), Bird does produce five (count them) lovely pumpkins. Squirrel picks out a favorite: “The enormous orange one.” Bird hints that Squirrel might want to help out; Squirrel sets out to fetch some work gloves and returns to find only four pumpkins. The frequently distracted Squirrel notices more gourds disappearing and leaps to the conclusion that a thief is near. And where’s Bird?! Has Squirrel’s pal also been taken? Diligently detecting, Squirrel finds clues—peck marks, footprints, and more—and produces a sketch of the suspect. As readers will guess, each clue turns out to point to one of Squirrel and Bird’s friends. Turns out Bird was delivering pumpkins to their pals while saving the big one to give to “my very best friend,” Squirrel. But why does Squirrel haul it up a tree? “So the Pumpkin Thief can’t find it, of course!” A page of pumpkin facts provides the learning component common to all titles in this series. Once more, readers will enjoy the pleasure of prediction and repetition, Squirrel’s silly persistence, Bird’s generosity, and the vibrant color illustrations, balancing orange with green.

More fun antics to satisfy returning fans and snag new ones. (Picture book. 4-8)

Pub Date: July 28, 2026

ISBN: 9781464268076

Page Count: 32

Publisher: Sourcebooks Jabberwocky

Review Posted Online: today

Kirkus Reviews Issue: Oct. 1, 2026

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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