This closely follows an earlier adventure, Piglet Bo Can Do Anything (2015), which may explain the abruptness of both...
In this Belgian import, a porcine hero faces his fears and (sort of) triumphs over them.
Piglet Bo, a simply drawn, anthropomorphic pig, proudly proclaims that he “is not scared” of various venues, animals, and activities. From a mouse (which is fortuitously routed by a passing cat) through an empty room, a deep hole, a stand of stinging nettles, and a roller coaster, Piglet Bo finds ways to avoid entirely or, at the least, minimize each potentially frightening experience. The first-person, stream-of-consciousness text uses repetition to convey the (not so) hidden truth that he is, indeed, quite afraid after all. While this is no doubt a familiar feeling for many small children (and some adults), the overlong and occasionally awkward narration is more likely to distance listeners than to draw them in. The mixed-media illustrations may also be somewhat off-putting, as Piglet Bo appears to be transparent at times (the colors of the setting showing through his outline, in whole or in part), and varying depictions of a wild dog or wolf lurk menacingly in many of the compositions.
This closely follows an earlier adventure, Piglet Bo Can Do Anything (2015), which may explain the abruptness of both opening and closing; fans of his first outing may enjoy seeing him again so soon, but those meeting him for the first time may be unimpressed. (Picture book. 4-6)Pub Date: Nov. 3, 2015
ISBN: 978-1-63450-182-8
Page Count: 32
Publisher: Sky Pony Press
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the...
In this deceptively spare, very beginning reader, a girl assembles a robot and then treats it like a slave until it goes on strike.
Having put the robot together from a jumble of loose parts, the budding engineer issues an increasingly peremptory series of rhymed orders— “Throw, Bot. / Row, Bot”—that turn from playful activities like chasing bubbles in the yard to tasks like hoeing the garden, mowing the lawn and towing her around in a wagon. Jung crafts a robot with riveted edges, big googly eyes and a smile that turns down in stages to a scowl as the work is piled on. At last, the exhausted robot plops itself down, then in response to its tormentor’s angry “Don’t say no, Bot!” stomps off in a huff. In one to four spacious, sequential panels per spread, Jung develops both the plotline and the emotional conflict using smoothly modeled cartoon figures against monochromatic or minimally detailed backgrounds. The child’s commands, confined in small dialogue balloons, are rhymed until her repentant “Come on home, Bot” breaks the pattern but leads to a more equitable division of labor at the end.
A straightforward tale of conflict and reconciliation for newly emergent readers? Not exactly, which raises it above the rest. (Easy reader. 4-6)Pub Date: June 25, 2013
ISBN: 978-0-375-87083-5
Page Count: 32
Publisher: Random House
Review Posted Online: April 14, 2013
Kirkus Reviews Issue: May 1, 2013
BOOK REVIEW
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