by Geert De Kockere & illustrated by Carll Cneut ‧ RELEASE DATE: Aug. 1, 2011
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something...
In this fine, low-key parable, Willy the elephant sports all elephant particulars: floppy ears, stout legs, dinky tail, general bigness.
He is drawn by Cneut as if made from artful cement though maybe a little fragile, like an old fresco. “He had two huge ears that flapped in the wind. And in between was his head…” De Kockere’s text is artful, too, and gently, mildly eccentric: “He stood like a mast. That came in very handy when you needed someone to hold something—a clothesline full of laundry, for instance.” Willy is comfortable in his elephantness; he knows how best to deploy his ears and tail and trunk and size: “Sometimes he was called on to come and push with that enormous body of his. A child who didn’t want to go to school, or a car that stood in the way.” The other characters in the story are drawn in hot colors—reds, some yellows—on fields of white along with gray Willy and with the same strange, haunting delicacy. But it is the unexpected turn that De Kockere takes at the story’s end that is the showstopper. Suddenly we are all Willy, in one great inclusive hug; maybe we, too, have stout legs, ears that flap in the wind, general bigness or “a little something somewhere, with a ridiculous little brush at the end.”
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something good. (Picture book. 4-8)Pub Date: Aug. 1, 2011
ISBN: 978-0-8028-5395-0
Page Count: 32
Publisher: Eerdmans
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Geert De Kockere ; illustrated by Tineke Van Hemeldonck ; translated by Thomas Mertens
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
BOOK REVIEW
by Tish Rabe ; illustrated by Sarah Jennings
BOOK REVIEW
by Tish Rabe ; illustrated by Dan Yaccarino
by Suzanne Lang ; illustrated by Max Lang ‧ RELEASE DATE: May 15, 2018
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his...
It’s a wonderful day in the jungle, so why’s Jim Panzee so grumpy?
When Jim woke up, nothing was right: "The sun was too bright, the sky was too blue, and bananas were too sweet." Norman the gorilla asks Jim why he’s so grumpy, and Jim insists he’s not. They meet Marabou, to whom Norman confides that Jim’s grumpy. When Jim denies it again, Marabou points out that Jim’s shoulders are hunched; Jim stands up. When they meet Lemur, Lemur points out Jim’s bunchy eyebrows; Jim unbunches them. When he trips over Snake, Snake points out Jim’s frown…so Jim puts on a grimacelike smile. Everyone has suggestions to brighten his mood: dancing, singing, swinging, swimming…but Jim doesn’t feel like any of that. He gets so fed up, he yells at his animal friends and stomps off…then he feels sad about yelling. He and Norman (who regrets dancing with that porcupine) finally just have a sit and decide it’s a wonderful day to be grumpy—which, of course, makes them both feel a little better. Suzanne Lang’s encouragement to sit with your emotions (thus allowing them to pass) is nearly Buddhist in its take, and it will be great bibliotherapy for the crabby, cranky, and cross. Oscar-nominated animator Max Lang’s cartoony illustrations lighten the mood without making light of Jim’s mood; Jim has comically long arms, and his facial expressions are quite funny.
Though Jim may have been grumpy because a chimp’s an ape and not a monkey, readers will enjoy and maybe learn from his journey. (Picture book. 4-8)Pub Date: May 15, 2018
ISBN: 978-0-553-53786-4
Page Count: 32
Publisher: Random House
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
BOOK REVIEW
by Suzanne Lang ; illustrated by Max Lang
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