by Geert De Kockere & illustrated by Carll Cneut ‧ RELEASE DATE: Aug. 1, 2011
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something...
In this fine, low-key parable, Willy the elephant sports all elephant particulars: floppy ears, stout legs, dinky tail, general bigness.
He is drawn by Cneut as if made from artful cement though maybe a little fragile, like an old fresco. “He had two huge ears that flapped in the wind. And in between was his head…” De Kockere’s text is artful, too, and gently, mildly eccentric: “He stood like a mast. That came in very handy when you needed someone to hold something—a clothesline full of laundry, for instance.” Willy is comfortable in his elephantness; he knows how best to deploy his ears and tail and trunk and size: “Sometimes he was called on to come and push with that enormous body of his. A child who didn’t want to go to school, or a car that stood in the way.” The other characters in the story are drawn in hot colors—reds, some yellows—on fields of white along with gray Willy and with the same strange, haunting delicacy. But it is the unexpected turn that De Kockere takes at the story’s end that is the showstopper. Suddenly we are all Willy, in one great inclusive hug; maybe we, too, have stout legs, ears that flap in the wind, general bigness or “a little something somewhere, with a ridiculous little brush at the end.”
Readers will be inspired to think of Willy: These aren’t defects, they’re worthy attributes, capable of delivering something good. (Picture book. 4-8)Pub Date: Aug. 1, 2011
ISBN: 978-0-8028-5395-0
Page Count: 32
Publisher: Eerdmans
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
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by Geert De Kockere ; illustrated by Tineke Van Hemeldonck ; translated by Thomas Mertens
by Jory John ; illustrated by Pete Oswald ‧ RELEASE DATE: Nov. 4, 2025
A flavorful call to action sure to spur young introverts.
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New York Times Bestseller
In this latest slice in the Food Group series, Humble Pie learns to stand up to a busy friend who’s taking advantage of his pal’s hard work on the sidelines.
Jake the Cake and Humble Pie are good friends. Where Pie is content to toil in the background, Jake happily shines in the spotlight. Alert readers will notice that Pie’s always right there, too, getting A-pluses and skiing expertly just behind—while also doing the support work that keeps every school and social project humming. “Fact: Nobody notices pie when there’s cake nearby!” When the two friends pair up for a science project, things begin well. But when the overcommitted Jake makes excuse after excuse, showing up late or not at all, a panicked Pie realizes that they won’t finish in time. When Jake finally shows up on the night before the project’s due, Pie courageously confronts him. “And for once, I wasn’t going to sugarcoat it.” The friends talk it out and collaborate through the night for the project’s successful presentation in class the next day. John and Oswald’s winning recipe—plentiful puns and delightful visual jokes—has yielded another treat here. The narration does skew didactic as it wraps up: “There’s nothing wrong with having a tough conversation, asking for help, or making sure you’re being treated fairly.” But it’s all good fun, in service of some gentle lessons about social-emotional development.
A flavorful call to action sure to spur young introverts. (Picture book. 4-8)Pub Date: Nov. 4, 2025
ISBN: 9780063469730
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 16, 2025
Kirkus Reviews Issue: Sept. 15, 2025
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by Jory John ; illustrated by Pete Oswald
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by Jory John ; illustrated by Erin Kraan
BOOK REVIEW
by Jory John ; illustrated by Pete Oswald
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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by Tish Rabe ; illustrated by Jim Valeri
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by Tish Rabe ; illustrated by Sarah Jennings
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by Tish Rabe ; illustrated by Dan Yaccarino
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