Likely to find mass appeal but should be considered with scrutiny. (Picture book. 4-8)

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GRUMPY MONKEY PARTY TIME!

Jim Panzee—the primate protagonist of Grumpy Monkey (2019) fame—is having a fine day until he receives an invitation to a party; the comic anxiety commences.

The source of Jim’s nerves is the idea of dancing. Jim Panzee, as it turns out, doesn’t know how to dance. This information shocks his jungle friends, who each give him pointers on how to bust a move on the dance floor. Jim tries to go along with his friends but discovers he’s not having a good time, not because he can’t dance, but because he actually doesn’t like dancing. Speaking out about his preferences inspires other animals to voice that they aren’t fans of the pastime either. They discover there are many other fun things to do at a party, like enjoy refreshments and play games, and still have a great time. Like its precursor, this title emphasizes self-acceptance and authenticity. It effectively communicates through the fanciful illustrations the feelings of facing pressure to conform to others’ expectations and the relief of honesty. Whatever gains this title develops in terms of social-emotional learning concepts, however, are offset by the insensitive use of a monkey protagonist, particularly linked to the racialized skill of dancing. It’s a shame that a series so imbued with emotional intelligence does not demonstrate more awareness of historical use of simian imagery as a derogatory referent to black people.

Likely to find mass appeal but should be considered with scrutiny. (Picture book. 4-8)

Pub Date: Oct. 15, 2019

ISBN: 978-0-593-11862-7

Page Count: 44

Publisher: Random House

Review Posted Online: July 28, 2019

Kirkus Reviews Issue: Aug. 15, 2019

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Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with...

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CREEPY PAIR OF UNDERWEAR!

Reynolds and Brown have crafted a Halloween tale that balances a really spooky premise with the hilarity that accompanies any mention of underwear.

Jasper Rabbit needs new underwear. Plain White satisfies him until he spies them: “Creepy underwear! So creepy! So comfy! They were glorious.” The underwear of his dreams is a pair of radioactive-green briefs with a Frankenstein face on the front, the green color standing out all the more due to Brown’s choice to do the entire book in grayscale save for the underwear’s glowing green…and glow they do, as Jasper soon discovers. Despite his “I’m a big rabbit” assertion, that glow creeps him out, so he stuffs them in the hamper and dons Plain White. In the morning, though, he’s wearing green! He goes to increasing lengths to get rid of the glowing menace, but they don’t stay gone. It’s only when Jasper finally admits to himself that maybe he’s not such a big rabbit after all that he thinks of a clever solution to his fear of the dark. Brown’s illustrations keep the backgrounds and details simple so readers focus on Jasper’s every emotion, writ large on his expressive face. And careful observers will note that the underwear’s expression also changes, adding a bit more creep to the tale.

Perfect for those looking for a scary Halloween tale that won’t leave them with more fears than they started with. Pair with Dr. Seuss’ tale of animate, empty pants. (Picture book. 5-8)

Pub Date: Aug. 22, 2017

ISBN: 978-1-4424-0298-0

Page Count: 48

Publisher: Simon & Schuster

Review Posted Online: July 15, 2017

Kirkus Reviews Issue: Aug. 1, 2017

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THE WONKY DONKEY

The print version of a knee-slapping cumulative ditty.

In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.

Hee haw. (Picture book. 5-7)

Pub Date: May 1, 2010

ISBN: 978-0-545-26124-1

Page Count: 26

Publisher: Scholastic

Review Posted Online: Dec. 29, 2018

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