A gentle, engaging, and heartfelt tale of family secrets and emotional closure.
In this debut novel, a man returns to his childhood home to unravel a vexing family mystery.
Australian journalist Chilton’s tale is a family-centric affair chronicling the life of Liam Murray, a city dweller from a small Aussie village who has lost his footing in the urban jungle. He attempts to fill the unhappy void with sleep, work, and, perhaps most dangerously and desperately, a torrid affair with Hannah, his married upstairs neighbor. Though tragic, the news of his mother’s sudden diagnosis of breast cancer spurs Liam to quit his dead-end job and move back to Elanora, his hometown. There, he feels most needed and wanted, though the memory of his father’s disappearance two decades prior still haunts him. He was just a boy when his father went fishing by himself and only the charred remains of his boat returned. Reuniting with childhood friends and caring for his mother (who’s started seriously dating again) fill his days at home, while memories of fishing and oyster hunting with his father permeate his mind. Stubbornly overwhelmed by open emotional wounds, Liam determinedly resolves to dig deeper into why his father disappeared. Was he depressed and suicidal when the family lost its second child, Annie, in the womb? What starts as a ransacking of his father’s old shed soon turns serious, and dark, personal secrets and a messy, hidden life are uncovered. If the story meanders a bit too leisurely for some readers, Chilton’s vibrant and smoothly lyrical prose more than makes up for a rather slack plot. Her consistent use of similes is also an appealing and effective touch: Female workers rushing through city streets on their ways to work have high heels sounding “like the start of rain,” and Liam’s childhood bedroom gives him an unsettling feeling, “as if it was he who had disappeared without a trace as a child, not his father.” Determined to live unencumbered by the past, Chilton’s characters yearn for love, understanding, and some semblance of a resolution. Combining lush details of the Australian landscape with players who draw readers in with humble hearts, this is a stirring first novel.
A gentle, engaging, and heartfelt tale of family secrets and emotional closure.Pub Date: Feb. 10, 2022
ISBN: 978-1-00-515025-9
Page Count: 418
Publisher: Self
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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