A gentle, engaging, and heartfelt tale of family secrets and emotional closure.
In this debut novel, a man returns to his childhood home to unravel a vexing family mystery.
Australian journalist Chilton’s tale is a family-centric affair chronicling the life of Liam Murray, a city dweller from a small Aussie village who has lost his footing in the urban jungle. He attempts to fill the unhappy void with sleep, work, and, perhaps most dangerously and desperately, a torrid affair with Hannah, his married upstairs neighbor. Though tragic, the news of his mother’s sudden diagnosis of breast cancer spurs Liam to quit his dead-end job and move back to Elanora, his hometown. There, he feels most needed and wanted, though the memory of his father’s disappearance two decades prior still haunts him. He was just a boy when his father went fishing by himself and only the charred remains of his boat returned. Reuniting with childhood friends and caring for his mother (who’s started seriously dating again) fill his days at home, while memories of fishing and oyster hunting with his father permeate his mind. Stubbornly overwhelmed by open emotional wounds, Liam determinedly resolves to dig deeper into why his father disappeared. Was he depressed and suicidal when the family lost its second child, Annie, in the womb? What starts as a ransacking of his father’s old shed soon turns serious, and dark, personal secrets and a messy, hidden life are uncovered. If the story meanders a bit too leisurely for some readers, Chilton’s vibrant and smoothly lyrical prose more than makes up for a rather slack plot. Her consistent use of similes is also an appealing and effective touch: Female workers rushing through city streets on their ways to work have high heels sounding “like the start of rain,” and Liam’s childhood bedroom gives him an unsettling feeling, “as if it was he who had disappeared without a trace as a child, not his father.” Determined to live unencumbered by the past, Chilton’s characters yearn for love, understanding, and some semblance of a resolution. Combining lush details of the Australian landscape with players who draw readers in with humble hearts, this is a stirring first novel.
A gentle, engaging, and heartfelt tale of family secrets and emotional closure.Pub Date: Feb. 10, 2022
ISBN: 978-1-00-515025-9
Page Count: 418
Publisher: Self
Review Posted Online: Aug. 16, 2022
Kirkus Reviews Issue: Sept. 15, 2022
Review Program: Kirkus Indie
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.
Inspired by David Copperfield, Kingsolver crafts a 21st-century coming-of-age story set in America’s hard-pressed rural South.
It’s not necessary to have read Dickens’ famous novel to appreciate Kingsolver’s absorbing tale, but those who have will savor the tough-minded changes she rings on his Victorian sentimentality while affirming his stinging critique of a heartless society. Our soon-to-be orphaned narrator’s mother is a substance-abusing teenage single mom who checks out via OD on his 11th birthday, and Demon’s cynical, wised-up voice is light-years removed from David Copperfield’s earnest tone. Yet readers also see the yearning for love and wells of compassion hidden beneath his self-protective exterior. Like pretty much everyone else in Lee County, Virginia, hollowed out economically by the coal and tobacco industries, he sees himself as someone with no prospects and little worth. One of Kingsolver’s major themes, hit a little too insistently, is the contempt felt by participants in the modern capitalist economy for those rooted in older ways of life. More nuanced and emotionally engaging is Demon’s fierce attachment to his home ground, a place where he is known and supported, tested to the breaking point as the opiate epidemic engulfs it. Kingsolver’s ferocious indictment of the pharmaceutical industry, angrily stated by a local girl who has become a nurse, is in the best Dickensian tradition, and Demon gives a harrowing account of his descent into addiction with his beloved Dori (as naïve as Dickens’ Dora in her own screwed-up way). Does knowledge offer a way out of this sinkhole? A committed teacher tries to enlighten Demon’s seventh grade class about how the resource-rich countryside was pillaged and abandoned, but Kingsolver doesn’t air-brush his students’ dismissal of this history or the prejudice encountered by this African American outsider and his White wife. She is an art teacher who guides Demon toward self-expression, just as his friend Tommy provokes his dawning understanding of how their world has been shaped by outside forces and what he might be able to do about it.
An angry, powerful book seething with love and outrage for a community too often stereotyped or ignored.Pub Date: Oct. 18, 2022
ISBN: 978-0-06-325-1922
Page Count: 560
Publisher: Harper/HarperCollins
Review Posted Online: July 13, 2022
Kirkus Reviews Issue: Aug. 1, 2022
SEEN & HEARD
PERSPECTIVES
SEEN & HEARD
A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.
A bittersweet novel of love gained, lost, and regained over the course of decades.
“They stare across the alley, into dark apartments, and they don’t know it, but they’re staring at each other.” It’s not an outtake from Hitchcock’s Rear Window but instead the wistful longings of two lonely people. Jack Baker, newly arrived in Chicago from Kansas in the 1990s, is a talented photographer who bristles when practical-minded people ask him what his work is about—to say nothing of why he works with Polaroids, which, a hipster friend reminds him, “are mass-produced, instant, cheap, impermanent.” Yes, and that’s the point, for though Jack comes from the windblown prairie, he’s pretty avant-garde. Elizabeth Augustine is a quadruple major at DePaul, “five majors if you count theater, which I have no talent for but enjoy nonetheless,” and exactly the woman Jack hoped he would meet. Life proceeds: That arty hipster becomes a real estate mogul who plants them in a development very much outside their price range until Elizabeth pulls down the big bucks from the psychological research firm that gives Hill’s latest its simple title. “Basically they were a watchdog group, a subcontractor for the FDA and FTC, sniffing out bullshit,” Hill writes, but Elizabeth, scraping by while Jack pulls down pennies as an adjunct professor, discovers that there’s hay to be made creating bullshit rather than exposing it—making airplane seats narrower, for instance, and then selling once normal-sized seats at a premium. Hill romps through our soufflélike culture with a nice sendup of academic literature and broad jabs at memes ranging from organic food (“one-hundred-percent bioavailable”) to progressive parenting, open marriage, and cult behavior (“Elizabeth knew...that the thing that most effectively strengthened and deepened delusions was being surrounded by people who shared the same delusions”) while delivering a story that suggests that while love may not conquer all, it makes a good start.
A warmhearted satire that chronicles our “perfectly, stupidly, dreadfully elegant” accommodations to life.Pub Date: Sept. 26, 2023
ISBN: 9780593536117
Page Count: 624
Publisher: Knopf
Review Posted Online: June 21, 2023
Kirkus Reviews Issue: July 15, 2023
BOOK REVIEW
SEEN & HEARD
© Copyright 2023 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
bookshelf
