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TWISTER

The steady pacing of Walsh’s novel occasionally works against it, but the quiet revelations that emerge lend it a surprising...

A young man’s wartime death increases pre-existing tensions in a Midwestern community even as nightmarish weather approaches.

The town at the heart of Walsh’s first novel is one with plenty of history, and the book allows lots of time for the connections between its inhabitants to reveal themselves. In the first third of the novel, prosaic passages describing a gathering storm are intercut with portraits of the residents—particularly Rose, the grieving mother of Lance, a soldier killed overseas. Slowly, tensions emerge: Rose’s strained relationship with her stepsister Stella, for one, as well as an ongoing dispute over property. Juxtaposed with these is the figure of the Old Man, whose musings on life after having been struck by lightning add to the novel’s themes of festering grievances and unresolved guilt. From there, Walsh reveals the past events that led these characters to this point. The reader gets a better sense of Lance as his fate looms larger, and other characters become more fully developed: the Old Man, before his near-fatal accident, shows a less sympathetic side; Ward, Stella’s husband, reveals a more complex personality. And throughout, there’s a sense of economic foreboding: even without the catastrophic weather implied by the title, ominous things are on the horizon for many of the characters. The pace of the novel’s first part can feel overly deliberate, and Walsh’s lack of specificity in terms of allusions to recent history and political debates is a stylistic device that doesn’t entirely click. But when the novel hits its stride, it moves along very well.

The steady pacing of Walsh’s novel occasionally works against it, but the quiet revelations that emerge lend it a surprising power.

Pub Date: Dec. 1, 2015

ISBN: 978-1-62557-937-9

Page Count: -

Publisher: Black Lawrence Press

Review Posted Online: Nov. 6, 2015

Kirkus Reviews Issue: Oct. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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