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STIR IT UP

MUSICAL STEWS FROM ROOTS TO JAZZ

An impressive variety of music is surveyed—rock, jazz, reggae, Afropop, Brazilian Tropicalia—in these reviews and interviews reprinted from the Nation, the Atlantic Monthly, and elsewhere. The collection starts, pointedly, with a Paul Simon interview about his collaborations with South African musicians on the controversial Graceland album. This story raises hopes for big topics from the essays to come: synthesis of international styles, cultural appropriation, politics, and music. But Santoro (Dancing in Your Head: Jazz, Blues, Rock, and Beyond, not reviewed) delivers a more diffuse collection. The pieces are about albums, or musicians, or musical ideas explored with particular musicians as examples—or all of the above. Sting discusses how ``there aren't any original ideas'' and where creativity does come from. The Bob Marley chapter serves as a short, informative history of reggae music, featuring Bob Marley. In the section on jazz bassist Tim Drummond, Santoro is content, for the most part, to let this outspoken man hold court. The jazz greats are perhaps best covered: John Coltrane, Charles Mingus, Ornette Coleman, Thelonious Monk, and others. Perhaps the influences and heirs-apparent are clearer in jazz. Or maybe jazz musicians just have the best stories to tell—Mingus, for instance, checks into Bellevue for a rest, ``as if it were a resort hotel,'' and then has trouble getting out. Sometimes Santoro's hip, smart style threatens to distract. Trail-blazing saxophonist John Zorn's music, for instance, contains ``pieces of a subatomic jigsaw puzzle whose Heisenbergian reality is connected by dots in the mind of the observer.'' Intelligent coverage of major artists—Elvis Costello, Bruce Springsteen, and David Byrne are all included—will appeal to many readers. But the overarching theme of cross-cultural pollination remains merely a rough reference point for the volume—a title pasted across a disparate, if thoughtful collection of writings.

Pub Date: July 1, 1997

ISBN: 0-19-509869-2

Page Count: 208

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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