by Gennifer Choldenko & illustrated by Paul Yalowitz ‧ RELEASE DATE: March 1, 1997
Choldenko's first book gives the lowdown on the cow who was heralded in the headlines of her time—e.g.,``Flying Bovine'' and ``Cow Shaped UFO Reported.'' The whole story of the famous flight comes straight from the horse's mouth—that is, the horse who coached her. He thinks the cow got the shaft in Mother Goose's record: ``One lousy line—not even a whole poem,'' says he, before telling it like it was: The cow kept hanging around the equine moon-jumping hopefuls, wormed her way in and started using their equipment, showed up for every practice, and kept her sights fixed firmly on the moon. She made the team—her name, Miss Cow, posted on the shortlist with the likes of Loco Motive and Trotting Travis. This very funny story sends up TV sports profiles; the horse's tough, gravelly voice puts a fine spin on this bovine interest piece as he focuses on the impossible odds, lofty dreams, and fierce dedication of the upstart athlete, finishing with a spirited play-by-play of the legendary jump. Yalowitz's colored pencil illustrations take the story and fly with it. Full of humorous details (the headlines, the lonely competitor awaiting practice time, the cow's crescent moon tattoo), the scenes capture the mood perfectly, especially the close-up of the cow blasting off and the aerial view with Earth far below. (Picture book. 4-8)
Pub Date: March 1, 1997
ISBN: 0-7868-0158-1
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1997
Share your opinion of this book
More by Katherine Applegate
BOOK REVIEW
by Katherine Applegate & Gennifer Choldenko ; illustrated by Wallace West
BOOK REVIEW
BOOK REVIEW
by Katherine Applegate & Gennifer Choldenko ; illustrated by Wallace West
by Mem Fox & illustrated by Kathryn Brown ‧ RELEASE DATE: April 1, 1994
In Brown's swashbuckling watercolors, Boris is tough indeed — hirsute, craggy, grim — but then, "All pirates are tough." As Fox's text succinctly points out, he's also "massive," "scruffy," "greedy," and "fearless," all qualities demonstrated in the illustrations as he seizes a violin from one of his crew, threatens the whole ugly lot after it's been purloined (readers will know that the stowaway boy, who earlier watched while the pirates buried their treasure, is the real culprit). The "scary" pirates catch the boy but soften when they hear him play; and when Boris's parrot dies, the boy helps him put it in the violin case for burial at sea and Boris cries and cries — "All pirates cry." These pirates also let the boy keep the violin when they row him home. Kids are sure to enjoy puzzling out the real story from the pictures, to which, in the end, the text's childlike stereotyping makes an amusing contrast. (Picture book. 4-8)
Pub Date: April 1, 1994
ISBN: 0-15-289612-0
Page Count: 32
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 1994
Share your opinion of this book
More by Mem Fox
BOOK REVIEW
by Mem Fox ; illustrated by Linda Davick
BOOK REVIEW
by Mem Fox ; illustrated by Freya Blackwood
BOOK REVIEW
by Mem Fox ; illustrated by Mark Teague
by Caroline Adderson ; illustrated by Stéphane Jorisch ‧ RELEASE DATE: July 7, 2020
A rollicking tale of rivalry.
Sweet Street had just one baker, Monsieur Oliphant, until two new confectionists move in, bringing a sugar rush of competition and customers.
First comes “Cookie Concocter par excellence” Mademoiselle Fee and then a pie maker, who opens “the divine Patisserie Clotilde!” With each new arrival to Sweet Street, rivalries mount and lines of hungry treat lovers lengthen. Children will delight in thinking about an abundance of gingerbread cookies, teetering, towering cakes, and blackbird pies. Wonderfully eccentric line-and-watercolor illustrations (with whites and marbled pastels like frosting) appeal too. Fine linework lends specificity to an off-kilter world in which buildings tilt at wacky angles and odd-looking (exclusively pale) people walk about, their pantaloons, ruffles, long torsos, and twiglike arms, legs, and fingers distinguishing them as wonderfully idiosyncratic. Rotund Monsieur Oliphant’s periwinkle complexion, flapping ears, and elongated nose make him look remarkably like an elephant while the women confectionists appear clownlike, with exaggerated lips, extravagantly lashed eyes, and voluminous clothes. French idioms surface intermittently, adding a certain je ne sais quoi. Embedded rhymes contribute to a bouncing, playful narrative too: “He layered them and cherried them and married people on them.” Tension builds as the cul de sac grows more congested with sweet-makers, competition, frustration, and customers. When the inevitable, fantastically messy food fight occurs, an observant child finds a sweet solution amid the delicious detritus.
A rollicking tale of rivalry. (Picture book. 4-8 )Pub Date: July 7, 2020
ISBN: 978-1-101-91885-2
Page Count: 44
Publisher: Tundra Books
Review Posted Online: April 7, 2020
Kirkus Reviews Issue: May 1, 2020
Share your opinion of this book
More by Caroline Adderson
BOOK REVIEW
by Caroline Adderson ; illustrated by Lauren Tamaki
BOOK REVIEW
by Caroline Adderson ; illustrated by Roman Muradov
BOOK REVIEW
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Hey there, book lover.
We’re glad you found a book that interests you!
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Trouble signing in? Retrieve credentials.
Welcome Back!
OR
Trouble signing in? Retrieve credentials.
Don’t fret. We’ll find you.