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THE BEST AMERICAN ESSAYS 1996

For this anthology's tenth anniversary, former American Heritage editor Ward (The West, p. 1228, etc.) has selected pieces that, in the words of series editor Robert Atwan, emphasize the essay genre's ``outward reach to a world far larger than the Self.'' In contrast to some past editions in this series, this volume largely dispenses with self-fixation. Some of the essayists, in fact, are more like eyewitnesses to history. Amitav Ghosh, for instance, recalls India's terrifying anti-Sikh violence after the 1984 assassination of Indira Gandhi; and Darryl Pickney mocks ``the numerology and self-election of Louis Farrakhan'' that he believes marred the Million Man March. Intensely personal essays are represented by Edward Hoagland and Joseph Epstein, writing about, respectively, the restored world of sight following an eye operation, and ``the art of the nap.'' For nature buffs, environmental historian William Cronon explains how a preoccupation with wilderness has diverted attention from more urgent ecological dilemmas; Mary Oliver examines the owl; and Gordon Grice refutes the idea of a god-designed Nature in his chilling rumination on the black widow spider. Two musical superstars are treated as cultural touchstones: Michael Jackson (Stanley Crouch, stiletto-sharp) and Elvis (Julie Baumgold, windy). Finally, there are personal histories: Jane Brox on the 1918 flu epidemic as experienced by her father, Chang-Rae Lee on his deceased Korean mother, and William Styron on being confined to a Marine Corps ``clap shack'' for syphilis. Although Ward has cast his net wide, with pieces from obscure as well as well-known periodicals, most of his catch comes from the same spot: the New Yorker, with 8 of the 22 pieces (though this would be a poorer collection without Adam Gopnik's dissection of Lewis Carroll's attraction to young girls and Joan Acocella's discussion of Willa Cather as a victim of literary trends). A welcome mixture of veteran and relatively new writers in an installment that maintains this series' level of high quality.

Pub Date: Nov. 6, 1996

ISBN: 0-395-71757-4

Page Count: 320

Publisher: Houghton Mifflin

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 1996

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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