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HELL'S FOUNDATIONS

A SOCIAL HISTORY OF THE TOWN OF BURY IN THE AFTERMATH OF THE GALLIPOLI CAMPAIGN

Another splendid historical study by Moorhouse (On the Other Side, 1991; Imperial City, 1988, etc.), who here details the effects of the disastrous 1915 Gallipoli campaign on Bury, Lancashire, an English mill town that was the headquarters of a regiment heavily involved in the fighting. The author, grandson of one of the participants, was born and raised in Bury—a fact that adds emotional resonance and verisimilitude to his narrative. Writing with his usual sensitivity and smoothness, Moorhouse, in a series of heartbreaking and frequently infuriating vignettes, reports on the events of the botched and bloody Anatolian landing and the subsequent carnage. As impressive as his WW I passages are, though, it is when Moorhouse focuses on postwar developments that he reveals the unique vision that has distinguished his earlier books. In recounting the tragic legacy of the war, he assembles a vast array of dramatis personae—pensioners, priests, and profiteers; unfaithful wives, workers, and wastrels; suicides and swindlers—and tells their stories in powerful images and vibrant detail. And Moorhouse handles the larger issues with equal perceptiveness. He discusses, for example, the admiration English enlisted men felt for the vitality and openness of the Anzac (Australian and New Zealand) troops during the campaign, and counters this by noting the scorn with which the colonials viewed the ``Tommies,'' whom they considered weak both in physique and spirit. A short but strong chapter describes the life and times of Edward George Villiers Stanley, 17th Earl of Derby, a holdover from the Edwardian era who virtually owned the town. This Colonel Blimp- like figure's platitudes and pretensions are captured with a fine straight-faced irony. An unusual and engrossing take on a fairly familiar bit of British history, rendered with freshness and literary polish.

Pub Date: April 17, 1992

ISBN: 0-8050-1768-2

Page Count: 288

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1992

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I AM OZZY

An autobiography as toxic and addictive as any drug its author has ever ingested.

The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.

Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.

An autobiography as toxic and addictive as any drug its author has ever ingested.

Pub Date: Jan. 25, 2010

ISBN: 978-0-446-56989-7

Page Count: 320

Publisher: Grand Central Publishing

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2009

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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