by Georg Feuerstein ‧ RELEASE DATE: Aug. 1, 1991
Here, Feuerstein (The Encyclopedic Dictionary of Yoga, 1990- -not reviewed) explores the arcane and dramatic world of ``crazy wisdom''—the purposefully outrageous, convention-destroying behavior of spiritual adepts in every great tradition—peppering his fascinating historical survey of gurus and tricksters with insights from modern psychology and his own experience in an unnamed contemporary cult. ``In their realization or experience, adepts may be above good and evil,'' Feuerstein writes. ``In their actions, however, they are not.'' Tracing the shadowy tradition of crazy wisdom from the self-abnegating ``Holy Fools'' of early Christianity and Sufism (the ``Way of Blame'') to the greatly accomplished teaching adepts of India and Tibet (including the legendary Milarepa), Feuerstein paints a richly suggestive picture of ``crazy wise'' spiritual experience—as solitary and superb as a saint pretending to be mad. His portraits of modern adepts, however, reveal how difficult it is to balance mysticism with common morality. G.I. Gurdjieff, Chogyam Trungpa, Bhagwan Rajneesh, Da Love Ananda (a.k.a. Da Free John): Feuerstein alleges that each (to greater or lesser degree) indulged in outrageous behavior to flex his spiritual muscle in the face of dourly submissive disciples. Particularly surprising are accounts of the alcohol-drenched debauches of Trungpa and Da Love Ananda (Rajneesh's weaknesses are too well known to surprise). Feuerstein speculates that neurosis survives enlightenment, and he labels these singular men ``relics from an archaic spirituality''—yet he apparently longs to infuse the personal-growth field with their wisdom. A provocative and personally charged attempt to reconcile an ancient spiritual form to the modern age.
Pub Date: Aug. 1, 1991
ISBN: 1-55778-250-4
Page Count: 416
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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by Albert Camus ; translated by Justin O'Brien & Sandra Smith
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by Albert Camus ; translated by Ellen Conroy Kennedy & Justin O'Brien
BOOK REVIEW
by Albert Camus translated by Arthur Goldhammer edited by Alice Kaplan
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