A refined and entertaining tale about one determined woman exploring both motherly and romantic love.
A young widow travels to Paris and ends up caring for two recently orphaned American girls in this historical novel.
Lura Grisham is born into wealth and privilege in the late 1800s in Connecticut, but her socio-economic status does not protect her from heartbreak. After marrying her father’s business associate Walter Myer, she conceives a child. But their happiness is cut short when the couple are involved in a carriage accident and Walter and the unborn baby are killed. During her mourning period, Lura decides to take the trip to Paris that she and Walter had always talked about. While sightseeing at the Louvre, Lura notices two young girls without adult supervision and learns that they have been abandoned by their father. With little forethought, Lura takes full responsibility for the children. As she tries to find their father, she meets Joseph Myer, the half brother of her dead husband. Walter had never known about this brother. With help from friends back home and a detective, Lura learns that the girls’ father was a mobster killed in France. She brings the girls back to the United States with the intent to adopt them. Unfortunately, she makes many mistakes while traveling, such as failing to alert the French authorities to their circumstances. As the story unfolds, Lura’s feelings toward Joseph grow complicated, and she also seems increasingly likely to lose custody of the girls. When a representative of the French government shows up at her home in Connecticut, Lura worries the girls may be lost to her forever. Told alternately from the perspectives of Lura and Joseph, Cramer’s novel is chock full of information about Paris, New York, and law enforcement in the late 19th century. With an action-packed plot, the book features several appearances by notable historical figure Louis Brandeis, who is a longtime friend of the main characters and helps with their legal troubles. The author deftly depicts the era’s American and European societal norms. Full of the period’s technological innovations, old-fashioned behavioral strictures, and elegant language, the work provides a perfect balance of mystery, romance, and history.
A refined and entertaining tale about one determined woman exploring both motherly and romantic love.Pub Date: N/A
ISBN: N/A
Page Count: 301
Publisher: Russian Hill Press
Review Posted Online: June 16, 2020
Kirkus Reviews Issue: Aug. 1, 2020
Review Program: Kirkus Indie
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
A classic Green portrait of young love…but here the fault is in our social media.
A relationship between young screen actors is magical, fraught, and relentlessly public in Green’s first novel for adults.
“Every movie romance needs an Obstacle, a reason the characters don’t naturally fall into each other.” In the off-screen romance between actors Juniper Castillo and Kai Laramie, the obstacle is a moving target. Juniper notices early on that as flirty and forward as Kai is, he seems “closed off to a romantic connection”; that turns out to be the tip of a very problematic iceberg. The two meet in the lobby of a Pittsburgh hotel where they will be spending the evening with Matthew Malone, the megastar playing Andy Warhol in a movie they’re about to begin shooting, Andy Warhol Never Gets Old. Kai has been cast as Andy’s intern, Juniper as a journalist who gets in over her head. This is Juniper’s first adult role after a long run as a Nickelodeon child star, and newcomer Kai’s first role of any kind. Green evokes in compelling detail all the phases and aspects of the film project, from the table read to the screening of the rough cut, from the social media fanfare to the public premiere and the press junket, moving back and forth between Juniper’s and Kai’s first-person perspectives. In a meeting with one of the ubiquitous publicists, Kai learns that somehow “the high school stuff” he never talks about—despite their growing inseparability and seemingly profound connection, he hasn’t even brought himself to share it with Juniper—has surfaced. Details emerge slowly, then blow up in the media; the book’s third act focuses on the destructive potential of celebrity culture in a climate that makes Warhol’s milieu look innocent by comparison. After a long break from writing fiction—his last two books were Everything Is Tuberculosis (2025) and The Anthropocene Reviewed (2021)—Green fills this novel with carefully observed details of Hollywood culture and characters, including running jokes about vegan cuisine, media training, and the way Kai’s agent constantly and boorishly consults his young female assistant on points of political correctness. Can he talk about “hot girls”? Can he quote T.S. Eliot? OK to say “dog vomit”?
A classic Green portrait of young love…but here the fault is in our social media.Pub Date: Sept. 22, 2026
ISBN: 9780525426073
Page Count: 304
Publisher: Dutton
Review Posted Online: Sept. 4, 2026
Kirkus Reviews Issue: Oct. 15, 2026
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