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DREAMPLACE

In the manner of Lyon and Catalanotto's other visions of the past as immanent in the present (Who Came Down That Road?, 1992): a glimpse of the Anasazi as vividly imagined by a child visiting the ruins at Colorado's Mesa Verde. Moving quickly from the everyday reality of ``yucca, pinyon, juniper and tourists. It's all plain as beans'' to the awe inspired by the monochromatic ancient ruins tucked precariously into a cliff, Lyon's spare, poetic text is a dreamlike reverie animated with concrete details of Anasazi life. Meanwhile, Catalanotto's luminous watercolors, their edges artfully undefined, capture the desert light in a carefully muted palette with the effect of photos lovingly tinted by hand; the spread where the shadowy Anasazi and the modern visitors appear together is so carefully designed that the meaning is absolutely clear. A poignant conclusion powerfully evokes the hold that this extraordinary, long-deserted site exerts on anyone who has ever seen it: ``...and then one day / when even trees were hungry/[they] turned their backs/and let it go.'' The best yet from a uniquely gifted team. (Picture book. 4- 8)

Pub Date: March 1, 1993

ISBN: 0-531-05466-7

Page Count: 32

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 1993

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HOW TO MAKE AN APPLE PIE AND SEE THE WORLD

What if the market was closed when you wanted to bake a pie? You could embark for Europe, learn Italian en route, and pick up some semolina wheat in Italy, an egg in France, kurundu bark for cinnamon in Sri Lanka, and an entire cow in England (butter) before coming home via Jamaica (sugar) and Vermont (apples). The expertly designed illustrations in which a dark-haired lass journeys by various means to these interesting places to get her groceries are lovely and lively, and the narrative, too, travels at a spritely pace. The journey is neither quite logical enough to be truly informative nor quite bizarre enough to be satisfyingly silly, while the rich, sweet recipe that's appended will take some adult assistance. Still, fun. (Picture book. 4-8)

Pub Date: May 2, 1994

ISBN: 0-679-83705-1

Page Count: 32

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1994

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BECAUSE I HAD A TEACHER

A sweet, soft conversation starter and a charming gift.

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A paean to teachers and their surrogates everywhere.

This gentle ode to a teacher’s skill at inspiring, encouraging, and being a role model is spoken, presumably, from a child’s viewpoint. However, the voice could equally be that of an adult, because who can’t look back upon teachers or other early mentors who gave of themselves and offered their pupils so much? Indeed, some of the self-aware, self-assured expressions herein seem perhaps more realistic as uttered from one who’s already grown. Alternatively, readers won’t fail to note that this small book, illustrated with gentle soy-ink drawings and featuring an adult-child bear duo engaged in various sedentary and lively pursuits, could just as easily be about human parent- (or grandparent-) child pairs: some of the softly colored illustrations depict scenarios that are more likely to occur within a home and/or other family-oriented setting. Makes sense: aren’t parents and other close family members children’s first teachers? This duality suggests that the book might be best shared one-on-one between a nostalgic adult and a child who’s developed some self-confidence, having learned a thing or two from a parent, grandparent, older relative, or classroom instructor.

A sweet, soft conversation starter and a charming gift. (Picture book. 4-7)

Pub Date: March 1, 2017

ISBN: 978-1-943200-08-5

Page Count: 32

Publisher: Compendium

Review Posted Online: Dec. 13, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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