Still, an intriguing window into the life of a damaged teen.

HOLDING ON TO ZOE

After an operation for an ectopic pregnancy, an emotionally distraught 16-year-old girl struggles to care for her imaginary baby over the objections of her caring best friend and angry, joyless mother.

When readers meet Jules McCauley, she believes she’s working in a factory that provides housing for her and daycare for her newborn baby girl, Zoe. But as she talks about her experiences—the “get-acquainted meetings” for the workers run by Dr. Stapleton (whom Jules thinks is an efficiency expert), the craziness of the other employees, and the vitamins the staff insists she take—it gradually becomes apparent that Jules is delusional and in an institution. Sensitively weaving the past and present together, Lyon adroitly describes the texture of the troubled teen’s world in the girl’s voice, which switches tenses appropriately. Particularly masterful is her depiction of Jules’s social-worker mother, an icy, furious woman who is so emotionally tone-deaf that she’s surprised when a potential client with cancer is offended when she asks if the woman will be around long enough to collect benefits. Jules’ therapy in the hands of the kindly Emma Douglas initially works, but the pat conclusion—an epiphany that leads to a too-easy cure—is hard to buy.

Still, an intriguing window into the life of a damaged teen. (Fiction. 14 & up)

Pub Date: July 17, 2012

ISBN: 978-0-374-33264-8

Page Count: 176

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 2, 2012

Kirkus Reviews Issue: May 15, 2012

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Riveting, brutal and beautifully told.

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WE WERE LIARS

A devastating tale of greed and secrets springs from the summer that tore Cady’s life apart.

Cady Sinclair’s family uses its inherited wealth to ensure that each successive generation is blond, beautiful and powerful. Reunited each summer by the family patriarch on his private island, his three adult daughters and various grandchildren lead charmed, fairy-tale lives (an idea reinforced by the periodic inclusions of Cady’s reworkings of fairy tales to tell the Sinclair family story). But this is no sanitized, modern Disney fairy tale; this is Cinderella with her stepsisters’ slashed heels in bloody glass slippers. Cady’s fairy-tale retellings are dark, as is the personal tragedy that has led to her examination of the skeletons in the Sinclair castle’s closets; its rent turns out to be extracted in personal sacrifices. Brilliantly, Lockhart resists simply crucifying the Sinclairs, which might make the family’s foreshadowed tragedy predictable or even satisfying. Instead, she humanizes them (and their painful contradictions) by including nostalgic images that showcase the love shared among Cady, her two cousins closest in age, and Gat, the Heathcliff-esque figure she has always loved. Though increasingly disenchanted with the Sinclair legacy of self-absorption, the four believe family redemption is possible—if they have the courage to act. Their sincere hopes and foolish naïveté make the teens’ desperate, grand gesture all that much more tragic.

Riveting, brutal and beautifully told. (Fiction. 14 & up)

Pub Date: May 13, 2014

ISBN: 978-0-385-74126-2

Page Count: 240

Publisher: Delacorte

Review Posted Online: March 17, 2014

Kirkus Reviews Issue: April 1, 2014

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This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression.

GIRL IN PIECES

After surviving a suicide attempt, a fragile teen isn't sure she can endure without cutting herself.

Seventeen-year-old Charlie Davis, a white girl living on the margins, thinks she has little reason to live: her father drowned himself; her bereft and abusive mother kicked her out; her best friend, Ellis, is nearly brain dead after cutting too deeply; and she's gone through unspeakable experiences living on the street. After spending time in treatment with other young women like her—who cut, burn, poke, and otherwise hurt themselves—Charlie is released and takes a bus from the Twin Cities to Tucson to be closer to Mikey, a boy she "like-likes" but who had pined for Ellis instead. But things don't go as planned in the Arizona desert, because sweet Mikey just wants to be friends. Feeling rejected, Charlie, an artist, is drawn into a destructive new relationship with her sexy older co-worker, a "semifamous" local musician who's obviously a junkie alcoholic. Through intense, diarylike chapters chronicling Charlie's journey, the author captures the brutal and heartbreaking way "girls who write their pain on their bodies" scar and mar themselves, either succumbing or surviving. Like most issue books, this is not an easy read, but it's poignant and transcendent as Charlie breaks more and more before piecing herself back together.

This grittily provocative debut explores the horrors of self-harm and the healing power of artistic expression. (author’s note) (Fiction. 14 & up)

Pub Date: Aug. 30, 2016

ISBN: 978-1-101-93471-5

Page Count: 416

Publisher: Delacorte

Review Posted Online: May 4, 2016

Kirkus Reviews Issue: May 15, 2016

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