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HE USUALLY LIVED WITH A FEMALE

THE LIFE OF A CALIFORNIA NEWSPAPERMAN

A fascinating, if slightly uneven, slice of Americana.

A journalist recounts the triumphs and failures of a long, eventful life through a series of letters.

One of the more interesting ways to witness the effect of time on political and social mores is through a chronicle of personal correspondence. As email and text messaging have relegated letters to the status of quaint relics, Garrigues’s book serves as a reminder that letter-writing was at one time equal parts art form and means of communication. The author’s father, Charles Harris “Brick” Garrigues, was a California journalist, writer, would-be novelist and lover of women. In this compendium of letters, which dates back to the 1920s and extends through 1973 (the year before Brick’s death), a riveting tale unfolds as Brick romances numerous women, hops from newspaper to newspaper, has children and struggles in vain to complete an autobiographical novel, a task that would consume many years but never quite reach completion. The bulk of Brick’s letters were written to Fanny Strassman, an intellectual he met in the ’20s who would become his literary agent, though 42 years would pass between their initial days together and their next meeting. Alongside this correspondence are letters to Brick’s children, various friends and a few ex-lovers, including Dickie, Brick’s first wife (and the author’s mother). Interspersed with these epistles are the author’s remembrances, some of Brick’s articles, and passages from his unpublished novel, Many a Glorious Morning. The novel fragments lack the lively punch of Brick’s letters, and the excision of a few of the less interesting missives might have moved the proceedings along at a brisker pace. Nevertheless, with Brick’s letters combining the acute observatory powers of a lifelong newshound with the uncertainty of a brilliant but flawed man, historical events such as the Depression, red-hunting government committees and anti-war protests are rendered with bold, vivid strokes.

A fascinating, if slightly uneven, slice of Americana.

Pub Date: March 15, 2006

ISBN: 0-9634830-1-3

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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