by George Harrar ‧ RELEASE DATE: April 24, 2003
A 15-year-old boy with OCD struggles for mental health. Obsessed with cleanliness, germs, order, and the number four, Devon Brown feels compelled to wash his hands frequently, line up his books perfectly, and eat four of everything. Hoping to give Devon a fresh start (again), his concerned parents move, hire a new therapist, and enroll Devon in private school. The story, which never develops the dramatic urgency of Harrar’s Parents Wanted, gathers steam when one of Devon’s new acquaintances talks him into going to the school after-hours, then defaces the property with spray paint. Devon, who accompanied the boy because he felt the need to straighten a crooked poster in the biology room, is seen at the school, accused of the crime, and suspended. The reader is supposed to see a connection between Devon’s obsessions and the trouble he gets into, but the correlation is weak, and despite the intriguing topic, the protagonist never becomes more than a sum of his neuroses. (Fiction. 11-13)
Pub Date: April 24, 2003
ISBN: 0-618-26365-9
Page Count: 224
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2003
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by Lauren Baratz-Logsted ‧ RELEASE DATE: July 1, 2010
Nineteenth-century servant girl Bet follows the classic cross-dressing adventure, disguising herself as a boy so she can attend school in a tale more Yentl than Mulan. Will is a 16-year-old upper-crust rapscallion, and Bet is the servant and companion who’s been raised side-by-side with him all her life. Will has been expelled from yet one more school when Bet proposes her cunning plan: Bet will take Will’s place, and Will can enter the military as he’s always dreamed. The plan goes off without a hitch. It’s too bad that Will’s current school, the Betterman Academy, is a dreadful place reserved for unredeemable boys. Luckily for Bet, her roommate, James, is a darling. This slim volume steps through all the required moments in the girl-disguised-as-a-boy genre, though one hopes the predictable moments of gay panic and safely heterosexual resolution will ring false to modern readers. This brief historical, solidly 20th century in feel, offers a perfectly pleasant romantic interlude for readers looking for bookish but light fare. (Historical fiction. 11-13)
Pub Date: July 1, 2010
ISBN: 978-0-547-22308-7
Page Count: 192
Publisher: Houghton Mifflin
Review Posted Online: June 2, 2010
Kirkus Reviews Issue: June 15, 2010
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by Elizabeth Levy ‧ RELEASE DATE: March 1, 2000
PLB 0-7868-2427-1 The content and concerns of Levy’s latest is at odds with the young reading level and large type size, which may prevent this novel’s natural audience of middle schoolers from finding a fast and funny read. In sixth grade, Rebecca broke her friend Scott’s toe at a dance. Now, in seventh grade, they are partners in a ballroom dance class, and they soon find they dance well together, but that makes Rebecca’s friend Samantha jealous. She gives a party during which spin-the-bottle is played, kissing Scott and then bullying him into being her boyfriend. While Rebecca deals with her mixed feelings about all this, she also has a crush on her dance instructor. Levy (My Life as a Fifth-Grade Comedian, 1997, etc.) has great comedic timing and writes with a depth of feeling to make early adolescent romantic travails engaging; she also comes through on the equally difficult feat of making ballroom dancing appealing to young teens. The obsession with kissing, pre-sexual tension, and sensuality of the dancing will be off-putting or engrossing, depending entirely on readers’ comfort levels with such conversations in real life as well as on the page. Precocious preteens will find that this humorously empathetic take on budding romance is just right. (Fiction. 10-12)
Pub Date: March 1, 2000
ISBN: 0-7868-0498-X
Page Count: 154
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2000
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by Andrea Balis & Elizabeth Levy ; illustrated by Tim Foley
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by Paula Danziger ; Bruce Coville ; Elizabeth Levy ; illustrated by Anthony Lewis
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