Next book

VERDI AT THE GOLDEN GATE

OPERA AND SAN FRANCISCO IN THE GOLD RUSH YEARS

A meticulously researched history of operatic music as performed in San Francisco from the Gold Rush to the Civil War. The subtitle saves this admirable volume from a truth-in- advertising charge. Martin (Aspects of Verdi, 1988, etc.) sees the Bay City's growing acclaim for Verdi's music as a paradigm for the development of musical taste in a town that grew from frontier outpost to cosmopolitan bastion in little more than a decade—but this argument seems beside the point. The author's more substantial—and more interesting—story is how 19th-century European opera became a local mania in a city built by roughnecks and miners on the other side of the world from Milan and London. As Martin notes, if today's New Yorkers shared the same enthusiasm for opera as San Franciscans in the years 1851-60, the demand would require 20 additional Met-sized opera houses, all playing every night. Against this background of frenzied enthusiasm, Martin presents a detailed, scholarly history of the singers who came to San Francisco (many of them from South American opera troupes), what they sang, where they sang, and how they were received. In doing so, he provides a potent look at American cultural history: the audiences who spat and filled the theater with cigar smoke, who broke into cheers before the music ended, and who engaged in fistfights and duels, bringing the grand gestures of romantic opera into real life. The time and place championed democratic populism, but also saw itself as ``larger than life''—and opera, with its appeal to the emotions, was ideal entertainment. New operas, hot off the presses of European music publishers, were received with the same intense, lively interest that today greets Hollywood movies. A genuine contribution to the history of art and society during the tumultuous years of this country's adolescence. Its primary appeal, though, is to students of operatic history and those who have permanently left their hearts in you-know-where. (Illustrations)

Pub Date: Aug. 1, 1993

ISBN: 0-520-08123-4

Page Count: 320

Publisher: Univ. of California

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1993

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Next book

TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

Categories:
Close Quickview