This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine.
O’Connor spotlights the goddess of beauty and love in this solid addition to his Olympians series.
Aphrodite’s three attendants, the Charites, narrate a slightly-too-long recap of the origin of the Titans and Olympians, leading up to the goddess’s birth. This telling emphasizes the power of Eros as an independent force in order to highlight the dangerous potential of Aphrodite, Eros’ embodiment. After a series of shorter myths, various affairs and the introduction of Aphrodite’s capricious son (a mischievous cherub she names Eros, of course), the story concentrates on the beauty contest of the goddesses Aphrodite, Hera and Athena, judged by the mortal Paris. The problematic female stereotypes inherent in a story of powerful women fighting over looks are brought to center stage and addressed by the characters. They find the contest “beneath” them and “debasing” even while participating and reframe the contest as one of power by offering Paris boons—Hera would make him a rich king, Athena a conquering hero. Aphrodite offers him the most beautiful woman in the world: Helen of Troy. Graphically, O’Connor compensates for the lack of action in Aphrodite’s myths by taking advantage of the comic-book format for humor, with quick lines of dialogue and humorous reaction shots.
This neatly nuanced take on Aphrodite shows respect for the ultrafeminine heroine. (author’s note, character profiles, “G[r]eek Notes,” discussion questions, bibliography) (Graphic mythology. 8-14)Pub Date: Dec. 31, 2013
ISBN: 978-1-59643-947-4
Page Count: 80
Publisher: Neal Porter/First Second
Review Posted Online: Oct. 22, 2013
Kirkus Reviews Issue: Nov. 15, 2013
A coming-of-age story as tender and sweet as a summer evening breeze
Summer adventures begin when Bina accidentally locks herself out of her house in Larson’s newest middle-grade graphic novel.
The summer before eighth grade is a season of self-discovery for many 13-year-olds, including Bina, when her best friend heads off to soccer camp and leaves her alone to navigate a SoCal summer. Without athletic Austin around to steer the ship, Bina must pursue her own passions, such as discovering new bands and rocking out on her electric guitar. Unexpected friendships bloom, and new members are welcomed into her family. Though her sphere grows over the summer, friendship with Austin is strained when he returns, and Bina must learn to embrace the proverb to make new friends but keep the old. As her mother wisely observes, “you’re more you every day,” and by the end of summer Bina is more comfortable in her own skin and ready to rock eighth grade. Larson’s panels are superb at revealing emotional conflict, subtext, and humor within the deceptively simple third-person limited plot, allowing characters to grow and develop emotionally over only a few spreads. She also does a laudable job of depicting a diverse community for Bina to call home. Though Bina’s ethnicity is never overtly identified, her racial ambiguity lends greater universality to her story. (In the two-toned apricot, black, and white panels, Bina and her mother have the same black hair and gold skin, while her dad is white, as is Austin.)
A coming-of-age story as tender and sweet as a summer evening breeze . (Graphic fiction. 10-14)Pub Date: May 1, 2018
ISBN: 978-0-374-30485-0
Page Count: 176
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 3, 2018
Kirkus Reviews Issue: March 15, 2018
PROFILES
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story.
Leaving Brooklyn behind, Black math-whiz and puzzle lover Bree starts a new life in Florida, where she’ll be tossed into the deep end in more ways than one. Keeping her head above water may be the trickiest puzzle yet.
While her dad is busy working and training in IT, Bree struggles at first to settle into Enith Brigitha Middle School, largely due to the school’s preoccupation with swimming—from the accomplishments of its namesake, a Black Olympian from Curaçao, to its near victory at the state swimming championships. But Bree can’t swim. To illustrate her anxiety around this fact, the graphic novel’s bright colors give way to gray thought bubbles with thick, darkened outlines expressing Bree’s deepest fears and doubts. This poignant visual crowds some panels just as anxious feelings can crowd the thoughts of otherwise star students like Bree. Ultimately, learning to swim turns out to be easy enough with the help of a kind older neighbor—a Black woman with a competitive swimming past of her own as well as a rich and bittersweet understanding of Black Americans’ relationship with swimming—who explains to Bree how racist obstacles of the past can become collective anxiety in the present. To her surprise, Bree, with her newfound water skills, eventually finds herself on the school’s swim team, navigating competition, her anxiety, and new, meaningful relationships.
Problem-solving through perseverance and friendship is the real win in this deeply smart and inspiring story. (Graphic fiction. 10-13)Pub Date: May 17, 2022
ISBN: 978-0-06-305677-0
Page Count: 256
Publisher: HarperAlley
Review Posted Online: March 1, 2022
Kirkus Reviews Issue: March 15, 2022
BOOK REVIEW
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