Admire her—from a distance—and don’t dis her or her mom.

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ARTEMIS

WILD GODDESS OF THE HUNT

From the Olympians series , Vol. 9

O’Connor offers a portrait of the Wild Goddess of the Hunt as probably the last of the Olympians you’d want to cross.

Born without labor pains (unlike her twin brother, Apollo) and a picture of gap-toothed charm as a child, Artemis grows into a lissome young white hunter with a ferocious glare beneath blonde bangs and a short way with all who offend her. Acteon learns this when he spots her bathing and is transformed into a deer to be torn apart by his own hounds, as does Queen Niobe of Thebes after she sets herself up as a replacement for the twins’ mother and sees all 14 of her children slaughtered. To keep temptation at bay and her sworn virginity intact, Artemis ultimately even has an arrow for her soul mate, the peerless hunter Orion—himself born, so the tale goes, from a bearskin on which Zeus, Poseidon, and Hermes “all, uh, micturated” (“Fun with words, kids,” O’Connor comments in an endnote). He is portrayed here as a brown-skinned  hunk with a herculean physique. Though the Olympians here are, by and large, a pale lot, groups of humans and demigods display some variation in hue. Artemis and Atalanta in particular show rather a lot of skin, but artful hand placement and angles of view keep things PG.

Admire her—from a distance—and don’t dis her or her mom. (notes, character profiles, discussion questions, reading lists) (Graphic mythology. 8-14)

Pub Date: Jan. 31, 2017

ISBN: 978-1-62672-522-5

Page Count: 80

Publisher: Neal Porter/First Second

Review Posted Online: Nov. 23, 2016

Kirkus Reviews Issue: Dec. 1, 2016

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Good fun with a monster of a cliffhanger.

THE LAST KIDS ON EARTH AND THE SKELETON ROAD

From the Last Kids on Earth series , Vol. 6

The monster-fighting gang from Wakefield departs on a post-apocalyptic road trip.

In this sixth installment of the heavily illustrated, Netflix-adapted series, quirky Jack Sullivan and his friends June, Quint, and Dirk finally leave their creature-ridden town in search of the ultimate baddie, Thrull, who previously deceived them. The quartet takes their tricked-out ride (an armored RV named Bad Mama) onto the open road (with Jack’s Zombie Squad in tow) to find the Outpost, where they believe a certain monster will be able to give them the location of the evil Tower where they believe Thrull now resides. Of course, the journey is littered with all kinds of nightmarish beasts and pitfalls (including an epic water park battle and slime-dripping baby monster), but the kids persist, armed with their endless gadgets and quick thinking. As the group races toward Thrull, the action culminates with an achingly tantalizing cliffhanger; expect audible groans and vociferous demands for the next installment. Fans of this series will revel in this fast-paced escapade with its recognizable black-and-white illustrations and trademark humor. Readers new to the series or those who are only familiar with the animated show may be a bit put off by this later volume that relies heavily on its own language of monsters and weapons. Jack, June, and Dirk are light-skinned; Quint is dark-skinned.

Good fun with a monster of a cliffhanger. (Graphic fiction. 8-13)

Pub Date: Sept. 15, 2020

ISBN: 978-1-984835-34-5

Page Count: 250

Publisher: Viking

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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Readers can still rely on this series to bring laughs.

WRECKING BALL

From the Diary of a Wimpy Kid series , Vol. 14

The Heffley family’s house undergoes a disastrous attempt at home improvement.

When Great Aunt Reba dies, she leaves some money to the family. Greg’s mom calls a family meeting to determine what to do with their share, proposing home improvements and then overruling the family’s cartoonish wish lists and instead pushing for an addition to the kitchen. Before bringing in the construction crew, the Heffleys attempt to do minor maintenance and repairs themselves—during which Greg fails at the work in various slapstick scenes. Once the professionals are brought in, the problems keep getting worse: angry neighbors, terrifying problems in walls, and—most serious—civil permitting issues that put the kibosh on what work’s been done. Left with only enough inheritance to patch and repair the exterior of the house—and with the school’s dismal standardized test scores as a final straw—Greg’s mom steers the family toward moving, opening up house-hunting and house-selling storylines (and devastating loyal Rowley, who doesn’t want to lose his best friend). While Greg’s positive about the move, he’s not completely uncaring about Rowley’s action. (And of course, Greg himself is not as unaffected as he wishes.) The gags include effectively placed callbacks to seemingly incidental events (the “stress lizard” brought in on testing day is particularly funny) and a lampoon of after-school-special–style problem books. Just when it seems that the Heffleys really will move, a new sequence of chaotic trouble and property destruction heralds a return to the status quo. Whew.

Readers can still rely on this series to bring laughs. (Graphic/fiction hybrid. 8-12)

Pub Date: Nov. 5, 2019

ISBN: 978-1-4197-3903-3

Page Count: 224

Publisher: Amulet/Abrams

Review Posted Online: Nov. 19, 2019

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