A by turns epic, amusing, and tragic caper that’s even more toastworthy (for obvious reasons) than its 11 predecessors.
Discover “a new type of god” in this final installment in the outstanding Olympians series.
Depicted eerily as an enigmatic, unclothed figure wrapped in flames, Hestia, goddess of hearth and home—and the oldest of the Olympians—narrates this strange and wild tale of Dionysos’ birth and rise. The youngest of the gods, Dionysos is conceived by a human mother and raised first as a girl then as a boy before he goes on to invent wine, vanquish death itself, and ultimately claim his seat on Mount Olympus with the rest of his immortal clan. Though not immune to tender feelings (such as when he meets the spirit of his dead mother, Semele, in the realm of Hades and when he marries Ariadne after she’s dumped by that cad Theseus), Dionysos generally comes off as a slap-happy party animal. He cavorts through the illustrations shirtless, displaying appropriately godlike charm and charisma as he dispenses his marvelous beverage far and wide and gathers followers—of both the mythological and racially diverse human variety—for wild rumpuses. “The Olympians may be deathless, but no god is as alive as Dionysos,” Hestia observes. More than any of his fellow deities, he is “a god of the people. Of humans. Because he was born of them.” The pages of this well-conceived graphic novel are laid out using an irregular grid that emphasizes some panels while retaining flow. All major characters present as White.
A by turns epic, amusing, and tragic caper that’s even more toastworthy (for obvious reasons) than its 11 predecessors. (sources, resources, discussion questions, endnotes) (Graphic mythology. 10-14)Pub Date: March 8, 2022
ISBN: 978-1-62672-530-0
Page Count: 80
Publisher: First Second
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
PERSPECTIVES
This winning paranormal uses witchcraft to explore adolescent rebellion.
It is Halloween when Moth Hush finds out she is descended from a line of witches.
Her mother reveals the story of their witch origins going back to 17th-century Europe, which Moth’s maternal grandmother, Sarah, fled along with her order for supposed safety in Founder’s Bluff, Massachusetts, only to find persecution there. Led by Sarah, the witches escaped the wrath of the Puritans through a blood ritual that opened a portal to Hecate, a spiritual realm that provided safety. Moth’s mother rebelled and broke away from the coven to live in the real world, ultimately as a single parent to Moth in the 21st century. After a talking black cat (the spirit of a deceased neighbor) appears and befriends Moth, Moth peeks at her mother’s diary—which opens a portal to Hecate, and Moth secretly begins to practice spells unsupervised and to connect with her family there. Moth and family sort through a complicated lineage whose legacy reveals itself to be very much alive in present-day Founder’s Bluff. In Steinkellner’s graphic panels, Moth and her family have brown skin and puffy dark hair, and the 17th-century coven is shown to be multiracial. The complex history provides a mechanism through which Moth sorts through her own coming-of-age as a modern girl of color, and it’s the loving, oftentimes humorous rapport among the Hush women that grounds this graphic novel.
This winning paranormal uses witchcraft to explore adolescent rebellion. (Graphic fantasy. 10-14)Pub Date: Sept. 3, 2019
ISBN: 978-1-5344-3146-1
Page Count: 272
Publisher: Aladdin
Review Posted Online: May 11, 2019
Kirkus Reviews Issue: June 1, 2019
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Personal but personable, too, with glints of quiet humor.
In a wryly introspective vein, a cartoonist offers a four-season round of illustrated observations on topics as varied as clouds, school, and the search for a perfect pumpkin.
“I want to put down / on paper the feeling / of fresh possibilities,” Snider writes in his “Spring” section. With reflections on the tricky art of writing poems serving as a thematic refrain, he goes on in a seasonal cycle to explorations of nature (“How do the birds / decide where / to alight?”), indoor activities (“In wool socks on thick carpet / I am MR. ELECTRIC”), and common experiences, from loading up a gigantic backpack with new books for the first day of school to waiting…and waiting…and waiting for a bus in the rain. He also invites readers to consider broad ideas, such as the rewards of practicing and the notion that failure can lead to the realization that “I’m still a work in progress.” Snider writes mostly in free verse but does break into rhyme now and then for the odd sonic grace note. Though he identifies only one entry as an actual haiku, his tersely expressed thoughts evoke that form throughout. His art is commensurately spare, with depictions of slender, dot-eyed, olive-skinned figures, generally solitary and of indeterminate age, posing balletically in, mostly, squared-off sequential panels making up mini-narratives of one to three pages.
Personal but personable, too, with glints of quiet humor. (Graphic poetry. 10-13)Pub Date: March 26, 2024
ISBN: 9781797219653
Page Count: 96
Publisher: Chronicle Books
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
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