A by turns epic, amusing, and tragic caper that’s even more toastworthy (for obvious reasons) than its 11 predecessors.
Discover “a new type of god” in this final installment in the outstanding Olympians series.
Depicted eerily as an enigmatic, unclothed figure wrapped in flames, Hestia, goddess of hearth and home—and the oldest of the Olympians—narrates this strange and wild tale of Dionysos’ birth and rise. The youngest of the gods, Dionysos is conceived by a human mother and raised first as a girl then as a boy before he goes on to invent wine, vanquish death itself, and ultimately claim his seat on Mount Olympus with the rest of his immortal clan. Though not immune to tender feelings (such as when he meets the spirit of his dead mother, Semele, in the realm of Hades and when he marries Ariadne after she’s dumped by that cad Theseus), Dionysos generally comes off as a slap-happy party animal. He cavorts through the illustrations shirtless, displaying appropriately godlike charm and charisma as he dispenses his marvelous beverage far and wide and gathers followers—of both the mythological and racially diverse human variety—for wild rumpuses. “The Olympians may be deathless, but no god is as alive as Dionysos,” Hestia observes. More than any of his fellow deities, he is “a god of the people. Of humans. Because he was born of them.” The pages of this well-conceived graphic novel are laid out using an irregular grid that emphasizes some panels while retaining flow. All major characters present as White.
A by turns epic, amusing, and tragic caper that’s even more toastworthy (for obvious reasons) than its 11 predecessors. (sources, resources, discussion questions, endnotes) (Graphic mythology. 10-14)Pub Date: March 8, 2022
ISBN: 978-1-62672-530-0
Page Count: 80
Publisher: First Second
Review Posted Online: Dec. 2, 2021
Kirkus Reviews Issue: Dec. 15, 2021
PERSPECTIVES
Altogether perfect.
Bina wants a band, not a boyfriend: Is that so wrong?
In this follow-up to All Summer Long (2018), Bina, now in eighth grade, has formed a band with new-girl Darcy and aloof prodigy Enzo. When Enzo and Darcy start dating, Bina finds herself dumped by her band mates, who reorganize the group as a duo. Additionally, her neighbor and BFF, Austin, fresh from a breakup with his long-distance girlfriend, now seems to like like her; could her oldest friend become her boyfriend? Everywhere she turns, it seems that everyone is concerned with only one thing—dating—whereas Bina swoons solely for music. Bina feels she must present herself a certain way to find acceptance. Wanting something different from her peers causes her anxiety, and she struggles to be true to herself and her friends as opportunities swirl around her. Bina’s smart, likable, and familiar, and her coming-of-age fears are palpably engaging as she learns that romance need not be romantic. The story is written and drawn by Larson; colorists Sycamore and Edwards add a sophisticated two-toned, muted rose-gold scheme. Larson has a wonderfully sharp eye for her characters, including a range of skin tones, sexual orientations, and body types. Aftermatter includes Larson’s explanation of her artistic process and is sure to inspire budding artists. Bina presents as mixed-race, though it’s not explicitly stated; her dad presents White, and her mom has brown skin.
Altogether perfect. (Graphic fiction. 10-14)Pub Date: Aug. 4, 2020
ISBN: 978-0-374-31162-9
Page Count: 192
Publisher: Farrar, Straus and Giroux
Review Posted Online: Feb. 25, 2020
Kirkus Reviews Issue: March 15, 2020
An original graphic novel, the first written and illustrated by an Indian-American creator, this is both a needed...
In this feminist graphic novel, a young woman searches for the truths of her past with the help of a long-lost aunt; Shakti, the Divine Mother Goddess; and a mysterious shawl.
Indian-American teenager Priyanka “Pri” Das, a talented artist and a bit of a loner, wants to know both why her deeply religious mother left India for California so abruptly years ago and her father’s whereabouts. But Pri’s mother refuses to speak of India: “That subject is permanently closed.” Soon, Pri discovers a mysterious pashmina tucked away in a forgotten suitcase in her Los Angeles home. When she wraps it around her shoulders, she is transported to an imagined, romanticized India—one as colorful as a Bollywood movie, in contrast to the black-and-white images of her everyday life. There, a talking elephant and bird introduce Pri (and readers) to the country’s festivals, foods, and fashion, but Pri knows this isn’t the “real” India. To find “her” India and uncover her mother’s secrets, Pri will travel to the subcontinent, where she learns about women’s choices—especially her mother’s—and living without fear. While the book covers well-worn territory about bicultural and immigrant conflicts, it also dramatically explores the ways women are constrained by patriarchy. Pri is the daughter of a single mother, a family structure rarely represented in young people’s literature of the South Asian diaspora.
An original graphic novel, the first written and illustrated by an Indian-American creator, this is both a needed contribution and a first-rate adventure tale. (Graphic novel. 10-14)Pub Date: Oct. 3, 2017
ISBN: 978-1-62672-088-6
Page Count: 176
Publisher: First Second
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
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