Next book

FACING UNPLEASANT FACTS

NARRATIVE ESSAYS

A generous display of the great English journalist’s distinctive honesty, clarity and reverence for the pertinent fact and...

The first of two volumes of the British author’s essays, compiled by journalist George Packer.

Orwell (1903–50) was no Flaubert closeted in aesthetic concentration. He was a vigorous participant in the chaotic life of his time, traveling to dangerous places (Burma under British rule, Spain fragmented by civil strife) and venturing into the culture of poverty—in his documentary masterpiece Down and Out in Paris and London and in such memorable transcriptions of personal experience as reports on his day spent in a filthy workhouse (“The Spike”) and a similar adventure in a festering prison (“Clink”). Readers familiar with Orwell’s work will not be surprised to find the aforementioned, or a kindred depiction of “Marrakech” as a swamp of poverty, overpopulation and disease, or a thoughtful if embittered retrospective essay, “Looking Back on the Spanish Civil War,” which forms a bridge to his great nonfiction book Homage to Catalonia. Some may be surprised, however, to encounter a memoirist who displays a quirky affection for the minutiae of the quotidian (“The Case for the Open Fire,” “In Defence of English Cooking,” “Bookshop Memories”) and a keen observer who always zeroes in on the broader ramifications of a simple subject (e.g., describing English football in “The Sporting Spirit” as “an unfailing cause of ill will”). The journalistic virtue Orwell does not possess in abundance is, oddly enough, objectivity. Readers will feel his inquiring, combative, judgmental sensibility lurking everywhere in his best work: bitter self-criticism in the twin classics “A Hanging” and “Shooting an Elephant”; stoical courage and depressive exhaustion in his immensely detailed “War-time Diary” (1940); his need “to make political writing into an art” in “Why I Write”; and the salutary indignation that enlivens his justly famous remembrance of public-school experiences (“Such, Such Were the Joys”).

A generous display of the great English journalist’s distinctive honesty, clarity and reverence for the pertinent fact and the perfect phrase.

Pub Date: Oct. 1, 2008

ISBN: 978-0-15-101361-6

Page Count: 336

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

Categories:
Next book

THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

Categories:
Next book

NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:
Close Quickview